I started reading the Bond books when I was twelve (along with Tarzan
and Doc Savage) and have been through the whole series at least four times. On
my latest trip, I’m listening instead of reading, and they’re still damn good.
And this time, I’ve been more impressed with Fleming’s prose than with his
character. This is especially true having read so many books by the pastichers,
none of whom are quite up to snuff.
This book, the first collection of 007 short stories (published in 1960,
between Goldfinger and Thunderball), is one I’d dang near forgotten. It includes
four James Bond adventures, plus a random short story framed to masquerade as
one.
What I didn’t know until googling is how these stories came to be.
Turns out four of them began life as treatments for episodes of a proposed U.S.
TV series in 1959. You’ve probably seen the pilot episode (from 1954), a
quickie version of Casino Royale starring Barry Nelson as an American secret
agent Jimmy Bond.
The series, of course, never materialized, and Fleming repurposed his
treatments as short stories.
The first in the book, “From a View to a Kill,” is my favorite of the
bunch. It involves motorcycle messengers getting knocked off and state secrets
stolen by Russians. The film of that title, with Simon Templar/Beau Maverick
impersonating 007, bears no resemblance. According to Wikipedia, the idea was
originally planned as the WWII backstory for Moonraker villain Hugo Drax.
In the title story, Bond’s mission to kill the killer of two of M’s old
friends is complicated by a babe with a bow and arrow. The babe, under a
different name, and the stuff with the bow and arrow later were used sparingly
in the 1981 movie. Not bad, but I found the ending lame.
“Quantum of Solace” is the joker in the bunch. Bond just sits and
listens to a story about a cheating wife and her vindictive husband. This one,
first published in Cosmopolitan in
1959, was supposedly an homage to W. Somerset Maugham, and written in Maugham’s
style. Been so long since I read Maugham, I couldn’t say.
“Risico” is the most movie-like of the bunch. Too bad Fleming didn’t
give it a move-like title. It has a typical Bond villain, a babe in a bikini,
drug smuggling, Russians and a good amount of shooting, but once again the
ending failed to grab me. A little of this stuff reportedly made its way into
the For Your Eyes Only film.
Though Bond is little more than a spectator in “The Hildebrand Rarity,”
I found it the second most satisfying tale of the book. 007 is undercover as a
deckhand on the yacht of a mildly-crooked millionaire. The unpleasant owner is hunting a rare fish
(hence the title), and the tale turns into a murder mystery of sorts. It has
the distinction of the only Bond story originally published in Playboy.
. . . And LICENSE TO KILL, the second and last Bond movie with Timothy Dalton, glancingly incorporated elements from "The Hildebrand Rarity."
ReplyDeleteNice review, Davy. Haven't read the book, but I usually liked the Fleming novels that I have read.
ReplyDeleteA fine review. I really like Fleming when he "goes literary." In fact, of course, he was a literary writer all along who melded his elegant style with the pulp tropes of writers like Sax Rohmer. "Quantum" & "Hildebrand" are my two favorites of his stories. I recall reading an editor once commenting on Fleming, saying he was incapable of writing a boring sentence. I've always found that to be true even in his weakest work.
ReplyDeleteLearned much here! I read all the Fleming Bonds decades ago, but did not know of his short stories. Fascinating.
ReplyDeleteThe movie version of For Your Eyes Only did include a subplot, based on Risico, about rival smugglers.
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