For the past couple of years I’ve been working my way through this
series, and recently finished the seventh and last (to date) installment, The Woman
Who Died a Lot.
I was hesitant in trying to explain what this series is all about,
because even the most basic description is likely to make me sound batshit
crazy. But since you probably already think (or know) that I’m insane, I
decided to give it a shot.
First off, you have to know that for this to make any kind of sense,
you have to start at the beginning. That’s The
Eyre Affair, published back in 2001. It takes place in Wessex, England in a
similar but generally wacked-out universe. Among the differences, not they’re
really essential to the plot, are that Neanderthals have been cloned, and now
function among the general population, that vampires, werewolves and what-have-you
are real and must be hunted down when they get out of line, and that people are
obsessed with toast and black market cheese.
More germane to the plot are the
facts that time travel is possible, that all facets of existence are pretty
much under the thumb of the multi-national Goliath Corporation, that all
religions have converged into belief in a General Standard Deity, and that a meteor is hurtling in the general direction of Earth, expected to arrive
thirty-some years in the future. But at least in this first book, all that
stuff is pretty much by-the-way, and the important thing is that everyone reads
and is wildly passionate about one sort of literature or another. Didn’t I tell you it was insane?
Thursday Next is a minor agent in a minor division of the multi-layered
SpecOps Bureau, an agency need to keep all the aforementioned stuff, including literature,
from going off the rails. In The Eyre
Affair, Thursday learns of the existence of a Book World, sort of an extra dimension
in which everything (and every character) ever written carries on a life of its
own. By some crazy means or another, Thursday finds her way into the Book
World, and Jane Eyre in particular, where she is unable to resist changing the
ending. This makes her a hero to some and villain to others, and carries her
into the next book, where she goes much deeper into the Book World.
From there on, things just get nuttier. Some books are light on plot,
with heavy sprinklings of humor. Others are heavy on humor, with light sprinklings of plot. You won’t care which. You’ll be having too much fun.
In Lost in a Good Book (2002)
we meet Thursday’s father, a time-travelling agent of the ChronoGuard, and her
mad scientist Uncle Mycroft. Thursday spends some time in Great Expectations
and Kafka’s The Trial while working as an apprentice of Jurisfiction, the Book
World’s own policing arm, goes chasing after a lost play of Shakespeare, and helps
her father prevent the destruction of the real world.
In The Well of Lost Plots
(2003), we enter a special area of the Book World devoted to unpublished
manuscripts. While living inside an unpublished detective novel, Thursday become
head of Jurisfiction and battles to save the Book World from destruction.
Something Rotten (2004) gets
even crazier, as characters (such as Hamlet) start crossing into the real world
and more real people make trouble in the Book World. In First Among Sequels (2007), Thursday meets and gets pains in the
neck from fictional versions of herself. In One
of Our Thursdays is Missing (2011), one of those fictional Thursdays takes
the stage, searching for the real Thursday.
Finally, in The Woman Who Died a Lot (2012), she tries to avoid her home town
being smited by the Almighty (He has now revealed himself and is getting serious
about sin) and avoid the world’s destruction by that meteor mentioned back in
paragraph four. Meanwhile, folks are searching for a way into (and plotting
nefarious uses of) the Dark Reading Matter—another extra dimension populated by unwritten
stories, lost books and imaginary childhood friends.
That last novel ends with Thursday planning a visit to the Dark Reading
Matter. On his website, Jasper Fforde says that will be the title of the next Thursday Next book, which he hopes to start writing a couple of years from now. Hope that’s true. Meanwhile,
I’ll soon be beginning the journey again, with a second reading of The Eyre Affair. Didn't I tell you I was insane?
Though I've heard a lot about these, and read some other reviews, I have yet to try one. One of these days... Thanks for this review, I enjoyed it a lot.
ReplyDeleteNice covers, nice explanation, nice post, nice reading (although I haven't), and have a nice weekend out of the zone (maybe).
ReplyDeleteI read the first two or three and stopped, perhaps because I wasn't enjoying the sequels as much as the first one. I laud you for being able to explain them in capsule form.
ReplyDeleteAbsolutely love, love, LOVE this series, Evan. Thanks for writing about them. And I must say that even if you begin at the very beginning, you might still have trouble figuring out what's what. I know I did. Maybe it's time for a reread. I think WELL OF LOST PLOTS and SOMETHING ROTTEN (Hamlet on the run and staying at - if I'm remembering correctly - Thursday Next's house?) were my favorites, but I could be wrong. There was only one I didn't like much, but I can't remember which one. Jasper Fforde has a dazzling imagination.
ReplyDeleteHave you read Fforde's SHADES OF GREY? A book which,deserved a series, but Fforde seems to have abandoned it. I loved it even if it also made little actual sense.
How about OVER EASY and THE FOURTH BEAR? Definitely a series by Fforde which should also have been continued. So hilarious.