Joe “Cap” Shaw
has become an almost mythic figure in the history of hardboiled fiction. A
great deal has been written about him over the years, but usually as a
supporting character in stories celebrating one or more of his writers. And
that, I believe, is the way Shaw would have wanted it. Most of his professional
life was devoted to encouraging and promoting the careers of others.
Now, at
last, we have a book-length study devoted to Joe himself, written by none other
than his son Milton Shaw. The book was obviously a labor of love, and is the closest
we will ever come to knowing the man behind the legend. AND, today and tomorrow only, you can get it for 30% OFF at the Steeger Books Black Friday/Cyber Monday Sale. That's HERE (use promo code 2019TURKEY).
The author has
done a fine job of gathering anecdotes and analysis from multiple sources,
adding never-before-seen correspondence between Joe and his writers, and
enriching it all his own extensive research and personal insight.
The real
meat of the book is the center, dealing with Joe’s time at the helm of Black
Mask and the succeeding years spent as a writer and literary agent.
Much of the
information about the Mask years is new to me, and all of it fascinating.
The focus is on his relationships with the important writers: Tom Curry,
Dashiell Hammett, Frederick Nebel, Carroll John Daly, Raymond Chandler, Dwight
Babcock, Lester Dent, Horace McCoy, W.T. Ballard, Raoul Whitfield, Erle Stanley
Gardner and Tom Curry. With most, that relationship was cordial and mutually
beneficial, but the exception was Gardner, who comes across as surprisingly
contentious.
Possible
reasons for Shaw’s departure from the magazine in 1936 are discussed at length,
leading into the making of The Hardboiled Omnibus, his work as a
literary agent and the eventual formation of his own agency.
One of the
more interesting parts of the book is a lengthy section (over 100 pages!) devoted
to correspondence between Joe and writers William R. Cox, Norman A. Fox and
Tommy Thompson. It’s here that we really see the inner working of Shaw’s mind
and personality, and glean a wealth of detail about the evolving literary
market of the 1950s.
Before all
that, of course, there’s much all-new information about Joe’s parents, his upbringing
and his experiences in World War I. And after his retirement, we’re treated to an
inside look at life with his wife and children at their home in Scarsdale, New
York.
Been there, (Saturday), done that. Thanks for the tip!
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