Showing posts with label Raymond Chandler. Show all posts
Showing posts with label Raymond Chandler. Show all posts
Tuesday, October 7, 2025
Sunday, October 8, 2023
Friday, June 12, 2020
WATCH IT HERE! Forgotten Books on Film: THE BRASHER DOUBLOON / The High Window (1947)
Last week we watched TIME TO KILL (HERE), the first film version of The High Window, and saw it turned into a vehicle for the Michael Shayne series. This time we get the real thing (sort of), but under a different title.
On this viewing, the reason for that retitling became very clear. They were trying their damndest to remind viewers - or maybe reviewers - of THE MALTESE FALCON. First, they gave the Doubloon a history, in that previous owner had suffered mysterious deaths (there ain't nothin' like that in the book), and then swiped a famous scene from the Falcon film that I'll let you discover for yourself.
Overall, this adaptation is even less faithful than THE HIGH WINDOW. At least the earlier version retained most of the major characters. This one ignores several. There's no sign or mention of Linda Conquest, the supposed thief of the doubloon, or her pal Lois, or Lois's gangster hubby Alex Morny. The absence of all those folks calls for a lot of jiggering around with the plot.
For those wondering what a real Brasher Doubloon looks like, you need look no further. I've provided a couple of pics below. No, this is not from my collection. If anyone has an extra one lying around taking up space, though, you're welcome to send it my way. I promise to give it a good home.
The six-sheet poster just below the film does reside in my collection, though I haven't seen it in all its glory in about 30 years. It hung on my wall back then, when I took the snapshot shown here. It's a gorgeous poster, and I wish like hell I could provide a better picture, but I no longer have a wall big enough to tack it up. The sucker is over six feet tall. Along with its other defects, the pic here is marred by the reflection of the window curtains in my old apartment.
Also below, you'll see a British poster, calling it THE HIGH WINDOW. Nice to know the limeys had the sense to release the film under its proper title.
Friday, June 5, 2020
WATCH IT HERE! Forgotten Books on Film: TIME TO KILL / The High Window by Raymond Chandler (1942)
I just read The High Window again. Damn, Chandler was good. And TIME TO KILL, the first film version - while a long, long way from being half as good - ain't bad either.
Having done several of these book-to-film comparisons over the past few weeks, it's pretty much what I've come to expect. The basic plot is intact, with many corners cut. Some of the main characters retain their names, while others were changed. A few minor characters are missing. There are several surprising scenes where Chandler's dialogue was lifted directly from the book.
Lloyd Nolan, of course, is not playing Philip Marlowe. He's supposed to be Mike Shayne. It seemed odd to me that with so many Shayne novels and stories out there, they would borrow one from Raymond Chandler. A quick check, though, revealed that prior to 1942 there had already been six Shayne films - but only five novels and two stories. The rest of Shayne's long career was still ahead of him.
Having read only a couple of Shayne stories (one by Halliday and one by James Reasoner), I can't really judge Nolan's performance in that role. As a Marlowe substitute, though, he's just too friendly. He's nice to everybody, good, bad and inbetween, and rarely drops a cutting remark. Likeable, sure, but not in a Marlowe way.
I suppose it's time to take another look at THE BRASHER DOUBLOON, with George Montgomery wearing the Marlowe shoes. If I do, you'll hear about it here next week.
Have you missed any of our Forgotten Books on Film? Here's what's gone before . . .
Apr. 3: MEET NERO WOLFE / Fer-de-lance
Apr. 10: THE LEAGUE OF FRIGHTENED MEN
Apr. 17: THE WESTLAND CASE / Headed for a Hearse
Apr. 24: LADY IN THE MORGUE
May 1: THE FRENCH KEY
May 15: THE GLASS KEY
May 22: THE FALCON TAKES OVER / Farewell, My Lovely
May 29: WOMAN IN THE DARK
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