Thursday, January 20, 2011

Robert L. Fish Award: Who, Me?


Yesterday was an interesting day. It started with an email from Cap'n Bob Napier, congratulating me on the Robert L. Fish Award. While I was still puzzling over that, I got a nice message from Janet Hutchings of EQMM. Then I saw a congratulatory post on Sandra Seamon's blog, Finally, I headed over to the News Authority of the blogosphere, Bill Crider's Popular Fiction Magazine, scrolled through the Edgar nominations, and found this:

Robert L. Fish Memorial
"Skyler Hobbs and the Rabbit Man" - Ellery Queen Mystery Magazine
by Evan Lewis (Dell Magazines)

Very cool, I thought. I'm a long-time Fish fan, and the books shown here had been on my Sherlock shelf since the 70s. The award, I figured, must be for the best humorous Sherlockian story of the year. And the reason I was the only nominee was that no one else wrote one.

Then more emails came in, from Patti Abbott, Scott Parker, Allen Weiner (co-author of David Crockett in Congress), Emperor of the Universe Art Scott and members of my critique groups. And many folks made kind comments on blogs. And eventually I figured out the award was not Sherlockian after all. It was for best short story by a "new" author (which, you must admit, is better than being called an "old" author). 

But that got me worrying about the lack of other nominees. Would the MWA be issuing an apology, saying the others had been omitted by accident? If so, that's fine, because I'm sure there were many deserving stories. But if the list of nominees stays as is, I'm thinking my chances look pretty good. (I even consulted Skyler Hobbs, and he agrees.)

Whatever happens, I'm honored - and grateful to the MWA, the Edgar short story committee and everyone who sent congratulations my way. You really made my day.


Tomorrow: I'm Guest Host for Friday's Forgotten Books (Patti has the day off). PLUS: A book so forgotten it was never published.

Tuesday, January 18, 2011

Overlooked Films: Metropolis


To any kid who grew up reading Famous Monsters in Filmland, the Robotrix from Metropolis was an icon on a par with Dracula, The Wolfman and the Frankenstein Monster. Editor Forrest J. Ackerman's fascination with the character (and the film) was contagious. The first time I saw the movie, the robot and the futuristic sets were pretty much all I came away with, but they were enough to make it very cool. I even bought a paperback copy of the novel (with an intro by Ackerman).

So when I saw the new DVD, The Complete Metropolis, at the library, some of that kid-like excitement surged through me again. And after watching the film, I'm more of a fan than ever.

The sets and cinematography are stunning. The special effects are amazing - light years ahead of what you'd expect from 1927, and distinctly non-cheesy. Some of the acting is pretty good, while some - particularly that of the male and female leads - is so over-the-top that it provides a wealth of unintentional comic relief.




And the film has a fascinating history. When it premiered in Germany in 1927, Metropolis was one of the most expensive movies ever made. Fritz Lang had spent four times more than the projected budget. The distributor was counting on a deal made with Paramount for distribution in the U.S. Trouble was, Paramount was not happy with Lang's 153-minute epic. They insisted on chopping almost an hour out of the film, along with important plot points and characters. The German company followed suit, and the end of the year all known copies of Lang's version had been butchered, and the excised footage destroyed. The film I'd seen as a kid - and the one most people in the world had come to know - was not the real Metropolis at all.


For the past 40 years, film historians have been mourning the lost footage and seeking clues to what it contained.  They had found tantalizing evidence, but it wasn't until 2008, when a 16mm copy was found in Argentina, that a near-complete reconstruction was possible. The Argentina film was in such poor shape that only the most advanced restoration techniques could make it viewable, but one processed the film provided 25 minutes of footage unseen since 1927.


Those 25 minutes are still scratchy, but incorporated with the crystal-clear footage from what's left of the original print, The Complete Metropolis finally presents the full story. There are still a very few scenes missing, but this version has notes to tell us what little we've missed and keep the story intact.


Metropolis wasn't the first science fiction film, but it was the first really important one, and its influence is still with us. If the Robotrix looks oddly familiar, it may be because she's the direct inspiration for C3P0 in Star Wars.

The entire film appears to be available on YouTube in multiple parts, and quality is good. That's far from the ideal way to view this movie, of course, but it will give you a taste.



Tuesday's Overlooked Films is the brand new brainchild of Todd Mason. You'll find more of today's overlooked film posts linked at his blog, Sweet Freedom.

Monday, January 17, 2011

Fairy Tale Crime Challenge - The Stories


The challenge from John Kenyon at Things I'd Rather Be Doing was to write a crime fiction story based on a fairy tale. Along with "Skyler Hobbs and the Magic Solution" (posted here Saturday) there were 15 other entries. I'm still working my way through the list, but the ones I've read so far have been magical!

“The Flying Trunk” by Jack Bates
“Coal Black” by Eric Beetner
“Sing a Song of Sixpence” by Nigel Bird
“Henry, Gina and the Gingerbread House“by Kaye George
“Mary” by Eiric Gumeny
“Han and Greta” by Blu Gilliand
“Divided We Stand” by Sean Patrick Reardon
“Taking Back” by Sandra Seamans
“Candy House” by R.L. Kelstrom
“Joseph and Justine” by Patti Abbott
“King Flounder: A Monlogue” by Loren Eaton
“Life is a Fairy Tale” by BV Larson
“You Dirty Rats” by Absolutely*Kate and Harry B, Sanderford
“How I Came Into My Inheritance” by Seana Graham
“Skyler Hobbs and the Magic Solution“  by Evan Lewis
“Interview with the Pram Driver” by B. Nagel

Saturday, January 15, 2011

Fairy Tale Flash: Skyler Hobbs and the Magic Solution


(NOTE: John Kenyon, over at Things I'd Rather Be Doing, issued a challenge for Crime Fiction stories based on fairy tales. Details HERE.) Here's mine:


Skyler Hobbs peered down his long nose at the little man seated next to me on the sofa.

“I must advise you, Mr. Schumacher, that my good friend here does not wish me to take your case.”

Arnie Schumacher, owner-operator of Arnie’s Electronics, turned to goggle at me, his eyes huge and watery through thick spectacles. “But why? I have not even told you my problem.”

I shrugged. I’d voiced no objection, but Hobbs had ferreted it out just the same. That’s the trouble with befriending a man who thinks he’s the reincarnation of Sherlock Holmes.

“The doctor,” Hobbs said, nodding at me, “feels you have siphoned customers from his computer repair business by undercutting his prices. Do you deny the charge?”

Arnie looked bewildered.

I handed him one of my business cards: Jason Wilder - Computer Doctor.

“Don’t mind Hobbs,” I said. “It’s his idea of a parlor trick. Probably spotted kilobytes under your fingernails. Still, he’s right. How can you afford to work so cheap?”

Arnie looked from me to Hobbs and wrung his hands. “Because, gentlemen, I am not really working. The items repair themselves—as if by magic!”

I stood, ready to usher him out. Dealing with Hobbs was all the insanity I could handle.

But Hobbs had that gleam in his eye. The one that said, Aha! The game is afoot.  He took his pipe and tobacco from their place on the mantel and settled into his rocker. “You have my full attention, sir. Pray continue.”

The story was quickly told. Arnie had opened shop in the 60s, fixing toasters and blenders, and graduated to TV and stereo equipment. He’d done all right until the past few years, when everything became computerized. Now most of the work was in computer repair. But his eyesight was failing, technology was passing him by, and he’d found himself up to his neck in unrepaired equipment and unpaid bills.

“Though it shamed me greatly,” he said, “I was about to declare bankruptcy, when the magic started. One morning I came downstairs—my wife and I share a small apartment above the shop—and went down to the basement, where I have my workshop. Everything in the place had been fixed!”

Hobbs’ eyes shone. “And you attribute this to magic.”

“My wife, she thinks it must be angels. Me, I just don’t know. But my business was saved. The faster work came in, the faster it repaired itself. I felt guilty taking money for nothing, so I lowered prices, and customers came in droves.”

“Assuming we believe any of this,” I said, feeling snarky, “why come to Hobbs? Sounds to me like you’ve got it made.”

“I do,” Arnie said. “I do. But it is not right. A man should work, and receive fair compensation for his labors. I come to you, Mr. Hobbs, to discover the truth of the matter. Will you help?”

Hobbs made an O of his mouth and blew out a large smoke ring. Pursing his lips, he sent several smoke bullets through the target.

“Mr. Schumacher, I find this matter to be of the greatest interest. The doctor and I will be only too happy to assist you.”

Happy. That was me. Too happy for words.
 
#

That night, Hobbs and I hid behind stacks of boxes in Schumacher’s basement. Hobbs had insisted we needed bait, so despite my objections we’d hauled a dozen unfixed computers from my own shop and stacked them on the long workbench.

As we waited in the darkness, I whispered, “All right, Hobbs, you’ve put me off long enough. I want to know what’s going on.”

“You observed, of course, that this establishment is located next to a Wells Fargo Bank.”

“Sure,” I lied. All I’d noticed was the MacDonald’s across the street. I could almost smell Big Macs.

“Is it not possible,” he said, “that our client’s late night visitors are attempting to tunnel into the bank and break into its vault?”

“Maybe. But if that were so, we’d have seen evidence of digging.”

“Not if the thieves are exceedingly clever.  In any case…”

As Hobbs paused, I heard slight sounds from the floor above. The click of a key in a lock, and the creak of footsteps.

“In any case,” he said again, “we shall soon know. I am quite certain our quarry has arrived. Now, Watson, would be the time to produce your trusty revolver.”

“Wilder,” I whispered. “And you know damn well I don’t own a gun.”

But I began to wish I did. The creaking had moved to the stairs, and a moment later the basement door opened. Florescent ceiling lights blinked on, and we crouched lower behind the boxes.

“Damn!” said a hushed voice. “The geezer’s got a lot of new shit.”

“Cool,” came the reply. “We’ll make a haul on this.”

As the voices moved to the center of the room, I shifted to a crack between the boxes.

Two teenage boys in ratty T-shirts and low-slung jeans stood at the workbench, examining the repair tags.

“Dibs on this HP,” one boy said. “All it needs is a network interface.”

“I’ll start with this laptop,” the other said.

Both selected tools from the table and set to work. These didn’t look like bank robbers to me.

I turned to Hobbs and raised an eyebrow. He merely nodded at me. If this performance surprised him he did a great job of hiding it.
   
We watched a while longer, seeing nothing but quick and competent repair work.

Finally Hobbs stood, pushing the boxes aside, and aimed a bony finger at the two astonished boys.

“Stop!” he said in a commanding voice. “Dr. Watson here is armed, and if you attempt to flee he will surely shoot you.”

I shook my head. “Wilder,” I said, “and I’m not shooting anybody. But I would like to know what the hell’s going on.”

#

Next morning, we sat in a plush private office above the flagship store of the worldwide mega-chain, Schumacher’s Shoes. Facing us across an enormous desk was a beetle-browed man bearing a distinct resemblance to our client. The brass nameplate on his desk read Marvin Schumacher, President and CEO.

Though Marvin looked younger than Arnie, his hair was thinning, and he’d tried to cover it with the silliest comb-over this side of Donald Trump. His whole office, in fact, seemed modeled after the board room on The Apprentice. He fixed us a Trump-like scowl.

“So you know,” he said. “You telling Arnie?”

“I know,” Hobbs said, “that you hired those lads to help your brother. And I believe I know why. But before determining a course of action, I wish to hear the tale from your own lips.”

“You‘ve met Arnie,” Marvin said, “so maybe you understand. He’s always been too proud for his own good. Won’t accept charity, even from his own flesh and blood. I called my old high school, got the names of those computer geeks, and gave them a key. You know the rest.”

“You chose well,” Hobbs said. “My friend here has inspected their work, and judged it to be excellent.”

Marvin nodded. “Arnie had a sweet deal going, until you stepped in. Any chance you’d accept a . . . retainer, to let the magic continue?”

Hobbs leaned forward, rubbing his hands together. “The question I must ask, Mr. Schumacher, is this: Precisely how much is your brother’s happiness worth?”

#

The apartment above Arnie’s Electronics was shabby but clean, a description that also served for Arnie’s wife. We sat at their kitchen table pretending to drink weak, tepid coffee from cracked mugs.

“I still can’t believe they were bank robbers,” Arnie said. “I saw you leading those guys away, and they looked like kids. I mean, who but kids would wear their jeans belted down around their knees?”

“All part of their disguise,” Hobbs said, “and no small factor in their ability to elude the authorities. Those desperados are wanted in seven states, and you have performed a great service in bringing about their capture. And it will please you to know they have already received new suits of clothing—bright orange prison uniforms.”

Hobbs hefted a large suitcase onto the table and popped it open. Inside were bound stacks of crisp hundred dollar bills.

“The reward offered by the FBI,” he said, “totaled one million dollars. It is yours, with the compliments of your government.”

Arnie stared, his mouth working but emitting no sound. His wife began to cry.

I felt my own eyes welling up, and steadied myself with a swallow of bad coffee.

Arnie found his voice. “A million dollars. You may call it justice, Mr. Hobbs, but I still call it magic. This time, however, I will not complain. But you and your friend did all the work. You must take half.”

I choked on my coffee. By the time I could breathe, Hobbs was already shaking his head.

“Your generosity is overwhelming,” he said, “but we must decline. The by-laws of the Consulting Detectives Union are quite strict in cases of this sort. The most we are allowed to accept is one percent.”

#

Two weeks later, we got a postcard from Hawaii, first stop on the Schumachers’ round-the-world cruise. Arnie was officially retired, and shedding the skin of his old life.

Things were going well for me too. With my share of the ten grand, I’d hired the two computer geeks to work part-time at my shop. Business was booming.

“Quite satisfactory,” Hobbs said. “Everyone appears to be living happily ever after.”

“Just like a fairy tale,” I said. “It’s almost enough to make me believe in magic.”

Hobbs snorted and turned to find his pipe.

I just smiled. Hobbs’ head was swelled enough already, so I had to be careful with compliments, but I was pretty sure Arnie was right. There had been magic at work.

The magic of Skyler Hobbs.

###

© 2011 by Evan Lewis

More adventures of Skyler Hobbs and Doctor Wilder, in case you missed 'em, are linked at the upper left.

Friday, January 14, 2011

Forgotten Books: The Green Hornet


The first Green Hornet Big Little Book, published in 1940, featured art by Robert Weisman. Fran Striker is believed by some to be the author. Values on these seem to fluctuate between $25 and $300, depending on where they are offered for sale and how bad somebody wants one.



Neither author nor artist has been positively identified for this second book, from 1941. All three BLBs featured the page-flipping gimmick described below, which was a primitive sort of animation.




The Green Hornet Cracks Down, 1942, features art by Henry Vallely. Once again, though clearly based on the work of Fran Striker, its uncertain whether he actually wrote it.



As I learned from Randy Johnson the other day, Richard Wormser was responsible for this 1966 TV-tie in paperback, writing as "Ed Friend." It was apparently penned before the series aired and based on early screen treatments, so many of the details differ from the actual show, and Kato is largely ignored. 


The Whitman hardback below, also from 1966, was a kid's book, but is by all accounts a better read than the paperback. Author Keith Brannan also did an I Spy book and couple about The Man from U.N.C.L.E.


Patti Abbott has the usual round-up of Forgotten Books at pattinase. Next week, when she's away, I have the honor of being guest host.

Tomorrow: "Skyler Hobbs and the Magic Solution," my entry in John Kenyon's Fairy Tale Crime Fiction Challenge. Come on back, y'all.

Thursday, January 13, 2011

Review: The Green Hornet Chronicles


The Green Hornet has been on my radar since the 60s, when the Van Williams/Bruce Lee series was spun-off from Batman. Some years later I was heavy into cliffhanger serials. Then it was Old Time Radio. And round about 1990 I was reading a cool series from Now Comics.

But I didn’t fully appreciate the character - didn’t come to feel I really knew them - until I read this Moonstone book, The Green Hornet Chronicles. Now, at last, I’m more than a casual listener, viewer, or collector. I’m a fan.

For that, I owe a debt to editors Joe Gentile and Win Scott Eckert. They assembled a fine group of writers and put together a collection of stories that draw the reader into the Hornet’s world as never before. We finally get inside the heads of Britt Reid and Kato and see what makes them tick.

The book transports us back to the 60s, where folks are trying to come to terms with Flower Power and the Vietnam War. We ride along in the Black Beauty on a tour of Detroit’s mean streets. We see the Hornet and Kato through the eyes of other characters. Over the course of the book, they emerge from the shadows of The Lone Ranger and Tonto - and Batman and Robin - and stand as distinct and compelling heroes in their own right.


I enjoyed all nineteen tales. Here’s the complete line-up, with brief comments:

The Night Car - Will Murray
- If Lester Dent wrote a Hornet story, it might go just like this!
I Had The Green Hornet’s Love Child - Greg Cox
- A floozy claims to have the Hornet’s baby - and everybody wants it.
Weakness - C.J. Henderson
- Can the Hornet coerce a crooked politician into going straight?
Topsy-Turvy - James Chambers
- A phony guru gives pipe dreams to naïve hippies.
Nothing Gold Can Stay - Richard Dean Starr
- The lowdown on how Kato the boy became Kato the man.
Just a Man - Thom Brannan
- An ex-marine sniper challenges the Hornet as The Green Viper.
The Cold Cash Kill - James Reasoner
- Britt Reid gets a shock - as dirty deeds are going on under his nose at the Daily Sentinel.
Flight of the Yellowjacket - Howard Hopkins
- When Reid meets a babe named Cavendish, you just know she’s bad.
By Scarab and Scorpion - Mark Ellis
- The curse of an ancient Egyptian queen plagues Detroit.
You Can’t Pick the Number - Rich Harvey
- A tale of redemption involving a crooked cop and the numbers racket.
Eyes of the Madonna - Ron Fortier
- Cold War antics with Russia and Cuba, with Detroit’s Crime Lord headquartered in a building called The Pulp Factory (Hey, isn‘t that the name of a blog?).
Stormy Weather - Patricia Weakley
- A lady private eye who speaks Texan goes on a Hornet hunt.
The Auction - Terry Alexander
- A nod to the radio show. When the Hornet’s domino mask is lost, he gets his old-style mask out of mothballs.
Go Go Gone - Robert Greenberger
- A clandestine treasure hunt, with clues hidden in books!
Mutual Assured Destruction - Bill Spangler
- A bout with white slavers brings Britt’s feelings for Lenore Case to the surface.
The Crimson Dragon - Mark Justice
- The Hornet faces a brutal new adversary, while Kato is hardpressed by two martial arts masters.
Fang and Sting - Win Scott Eckert
- A trip into delves into radio history, with a villain from the Manhunter show. (Manhunter was a Striker & Trendle production that gave its life, and its time slot, to make way for the Green Hornet show. Mike Axford, in fact, was a Manhunter character who made the jump to the new program.) This one’s also a Wold Newton treat, reminding us that Kato and the Hornet inhabit the same fictional universe as such folks as Doc Savage, James Bond and Fu Manchu.
The Inside Man - Matthew Baugh
- A Native American trying to escape reservation life is caught between two evils - and one of them is the Hornet.
The Soul of Solomon - Harlan Ellison
- In which it is revealed that Mr. Ellison is at once both an old man and a seven-year-old geek-boy. Heck, he always has been. That’s why he’s always been one of my literary idols.

PLUS, the stories are sandwiched between an Introduction by TV Hornet Van Williams and an interview with TV Black Beauty designer Dean Jeffries. AND, each story features a full-page illustration by Ruben Procopio. How cool is that? Very.

And there’s more good stuff to come. Editors Gentile and Eckert are already assembling a follow-up collection called The Green Hornet Casefiles.