Breakfast with Superman

In response to yesterday's post about the 50s TV series The Adventures of Superman, Mike Doran offered this intriguing comment:

One of the joys of collecting videos of ancient TV shows is finding the occasional local commercial spot, frequently for something like a brewery or a bank.

The Cisco Kid, for example, was sponsored in its original run by Interstate Bakeries, makers of Butternut Bread - in the midwest, at least ("Tut-tut Nothin' but Butternut Bread!"). But I've got a few episodes in my collection with spots for Weber Bread - same packaging, even the same jingle ("Can't get enough o' that Weber Bread!").

I also recall how Lloyd Bridges would appear at the close of Sea Hunt to say a few kind words about Heileman's Old Style Beer - here in Chicago,anyway. I don't doubt that he spoke with equal fondness of other brands in other markets.

During its original run, Kellogg's sponsorship of Superman was proclaimed right in the opening credits, accompanied by commercial spots by the cast members - all of which had to scrapped when the show went into its later syndication phase.

The cast of Superman plugging breakfast cereal? That sounded pretty cool, so I checked YouTube and found quite a few commercials. Thanks, Mike, for hepping us to the jive! Some samples . . .

Overlooked TV: It's a bird! It's a plane! Nope, it's You-Know-Who

Here's one you don't see TV anymore (and least I don't), but it used to be a GIANT. Luckily for kids like me, the whole series is now available on DVD, and I've been watching it again.

The Adventures of Superman ran from 1952 to 1958, for a total of 104 episodes. The show was originally broadcast in black and white, but half the episodes were filmed in color, and are presented that way on DVD.

Though the show was aimed at kids, some of the episodes are surprisingly well done. Two very early adventures seem like mini-movies starring Jimmy (episode 2) and Lois (episode 4), with Superman merely swooping in at the end to save the day. It wouldn't surprise me to learn that these, and perhaps many others, were based on earlier feature films.

Other episosdes, of course, are purely kid stuff. One has an organ grinder's monkey dressed in a Superman suit, and another is about a sick girl whose fondest wish is for Supes to take her to the fair. But even the most sacharin stories have redeeming elements, like bad guys with guns.

The Season One set has 26 episodes, plus the 1951 feature film Superman and the Mole Men. That's where George Reeves debuted in the role, taking over after Kirk Alyn had done his stuff in two 15-chapter serials, Superman (1948) and Atom Man vs Superman (1950) (You can see movie posters for those HERE.)

Superman and the Mole Men also introduced Phyllis Coates as Lois Lane (who had been played by Noel Neill in the serials). Phyllis continues that role in the first season of the TV series, and the more familiar Noel takes over in the second.

Check it out. It ain't too late to be a kid again.

For links to more Super Overlooked Films & Stuff, put on your cape and fly on over to Sweet Freedom.

Art Gallery: Wild West Cliffhangers

1952

1951

1948

SPY HARD Theme - Weird Al Yankovic

Art Gallery: Dime Detective

1941



1946

Forgotten Books: Death Reign of the Vampire King (a dreaded UPDATE of the Spider)

Perhaps the most reviled series of pulp hero reprints ever done (and for that matter perhaps the only reviled series of pulp hero reprints ever done) are the four updated adventures of the Spider published in 1975 by Pocket Books.

When I read them then, I found the updating annoying, but I was still glad to have the stories. At the time, aside from the four books published by Berkely in the late 60s, they were the only reprints of the Spider readily available.

Annoying as the updates were, it wasn’t hard to mentally substitute the old weapons and old vehicles for their modern equivalents. And the pounding prose of Norvell Page was still enjoyable. For me, the worst thing was the dropping of the word “the,” so that the Spider was always referred to as simply “Spider.”

Now that I have a couple of unexpurgated editions of Death Reign of the Vampire King, I decided to take a closer look at the revisions. I did this by reading both versions side by side. For much of the time, I actually had a paperback open in each hand, reading from one to the other. (And yes, turning pages was a bitch.)

I found it mighty interesting.

First, there were the updates to weapons and vehicles I’d noticed the first time. The Spider’s automatics are changed to Colt Python .357 revolvers. A jiu-jitsu blow becomes a karate blow. His Daimler sedan becomes a Mercedes. His plane, a Norththrup, be comes a Boeing. In similar changes, a Minerva becomes a Rolls-Royce, a flivver becomes a car and a police radio-roadster with curtains drawn becomes a police car with the windows down.

Other examples: Richard Wentworth no longer wears goggles when piloting his plane. His plane’s machine guns are no longer behind the propeller. The speaking tube is gone from his car. When he sends a message via radio, it's via voice rather than Morse code. Cops no longer carry billie clubs. 

History had to change: Wentworth and his chauffer Jackson originally served together in France. That’s changed to Korea. Wentworth’s record as an intercollegiate sprinter becomes an Olympic record.

In one glaring error, one character is said to have been a big shot during prohibition, but the guy is nowhere near old enough to have been an adult in the 20s.

Many changes are due to “Spider’s” new, more debonair image. As envisioned by Robert Maguire on the cover, he’s a white-clad, blond-haired version of The Executioner. In the story, he still dresses in black, but since he no longer wears a hat or cape, they had to be weeded out of the text.

OLD: He was a hunched, grotesque figure and his long black cape made his body blend with the darkness.
NEW: He was a hunched, grotesque figure and his black turtleneck made his body blend with the darkness.

OLD: So much he said before he realized that this sinister, caped man with hunched shoulders - with cold eyes gleaming beneath the brim of a black slouch hat - was no comrade of his.
NEW: So much he said before he realized that this man with the cold eyes was no comrade of his.

In one original scene, the Spider is running at a girl who is shooting at him. He billows his cape, which hangs nearly to the ground, to confuse her as to where his body is. Bullets tug at it as she misses. In the update, with the cape deleted, the bullets still tug - but we don’t know where.

The update editor ran into other trouble with the cape.
In the old version, the Spider runs through a bat attack with his cape over his head.
With the cape removed, this line doesn’t make sense:
Wentworth dared not uncover his head, lest the bats strike at him, and without better vision, he could not shoot. (The reason he can’t see is the cape)

In one scene, the Spider lures bats into his car and swats them to the floorboards with his hat. Since the revisionist couldn’t think of an alternative, for that one scene “Spider” has a hat.

The Spider used make-up and false teeth to turn his face into sort of a fright mask, and sometimes wore a hump on his back . . .

OLD: He donned dark tweeds. When the time came, he would add cape and broad-brimmed black hat, alter his face . . . And the Spider would step forth from the car in all his sinister fearful majesty
NEW: He donned a dark turtleneck and comfortable pants. When the time came he would step forth from the car in all his fearful majesty.

Apparently the Spider’s trademark was considered too corny, so lines like this were deleted entirely:
He slew and left a mocking vermillion seal upon their foreheads to show that vengeance had been exacted by the champion of oppressed humanity - nemesis of all criminals - the Spider!

Some updates reflect changes in word usage . . .

In the old version, the bats “brought their poisoned death to the gay crowd before the motion picture shows.” In another instance, a character was described as being “gay and carefree.” You can guess which word was deleted. 
 
Here’s one due to a yet-to-be-born cultural icon: The villain is originally called The Bat Man. In the update, he’s simply The Bat.

Some changes stem from an effort to be more politically correct . . .

OLD: Dangerous work, this, racing into the muzzle of an automatic, even though it was light in caliber and a woman handled it.
NEW: This was dangerous work, racing into the muzzle of an automatic, even though it was light in caliber. 
 
In the original version, Wentworth’s servant Ram Singh addresses him as sahib, and calls Wentworth’s lady friend Nita Missie sahib. Someone must have considered this too slavish. Sabib is dropped. And Ram Singh is less deferential.

OLD: “Bring me the cage of bats!” Nita ordered.
Ram Singh sprang from the car and salaamed profoundly. Wah! This woman was a fit mate for his master - a tigress whose claws were as deadly as those of the old one himself. Bring back the bats? He would bring back heaven and hell, let her but command it!
NEW: “Bring me the cage of bats!” Nita ordered.
Ram Singh sprang from the car. Bring back the bats? He would bring back heaven and hell, let her but command it!

In the original, Wentworth addresses Ram Singh, out of respect, in formal language. I can only guess this was mistakenly thought demeaning . . .

OLD: I’m afraid I lost thy knife, O warrior!
NEW: I’m afraid I lost your knife.

In some cases, the old prose was apparently considered too purple, or too archaic . . .

OLD: Greatly they loved, but the Spider could never marry.
NEW: They loved each other, but Spider could never marry.

OLD: Almost he had despaired
NEW: He had almost despaired

OLD: If the gods were good
NEW: If luck was with him

OLD: In a trice
NEW: Soon

OLD: Good God, what an end for a man!
NEW: What an end for a man!

OLD: “Geez!”
NEW: “Jesus!”

To all of which I say, “Geez!” and “Good God, that’s enough for me!”

Covers, top to bottom:
1. 1975: First in Pocket Books updated series.
2. 1935: The Real Thing.
3. 1976: British updated edition from Mews (NEL).
4. 1992: Carroll & Graf #4. The original Death Reign is one of two novels in this book.
5. 2003: From Action Ink. Original text, plus all of the original interior art.

More Forgotten Books: pattinase!

Remember the Alamo Neckties

Other samples of my classy necktie collection, featuring such icons of style as Clint Eastwood, 007, Mighty Mouse, King Kong and Heckle & Jeckle, can be seen HERE.

Conan of Pastichia

1987

1989

1994