If, like me,
you happened to read Will Murray’s Duende History of the Shadow Magazine
back in the ‘70s, it no doubt left you wishing you had access to some of the
many, many intriguing stories he described. It was a bit frustrating, because
most of them were impossible to find.
Now, with Dark
Avenger, a revised and expanded version of the Duende History, the
Shadow’s world is a much different place. All but a few of his pulp adventures
are readily available, and the biggest frustration is finding time to read them
all.
Amazingly, Mr.
Murray seems to found the time to read and study all 325 of those babies, and
broken the 18-year run down into seven distinct phases. It’s a fascinating
journey. We see our hero undergo the gradual change from a mysterious crime
fighter to a guns-blazing avenger - to an urbane detective who hardly bothers
to don a disguise - and finally back to some semblance of his old self. We see
his true identity shift from a delicious mystery to adventurous Kent Allard, then
to sophisticated Lamont Cranston, finally landing somewhere in between. And
it’s not only the Shadow’s role that changes, but the identities and functions
of vast cast of agents.
Equally
fascinating are the forces behind the scenes, notably editor John Nanovic and
others at Street and Smith, nudging Walter Gibson in different directions in an
effort to please the changing market and address the changing times. We see the
coming and going of Black Mask writer Theodore Tinsley (who wrote 28 of
the 325) and the odd tenure of Bruce Elliott (who did 15), then coming full
circle back to Gibson.
I was
surprised to learn how late in the series super-villains like Shiwan Khan made
the scene, and how late the radio show began to infect the magazine (1937). The
Great Shadow Boom of 1940 was another revelation, spurred by the Victor Jory
serial and spilling over into the comic strip and comic books.
The book’s
narrative is a mystery and adventure in itself, and a real page-turner. I was itching
to discover what changes the writers would come up with—or have forced upon them—from
one phase to the next, making it hard to put down.
I came to
identify closely with Walter Gibson (who was of course closest to it all, writing
268 of the suckers) and Will had me cheering his all his triumphs and feeling
his pain when things went sour.
The wealth
of information and detail here is truly staggering. I came away with at least
half a dozen adventures I’m itching to read right away, and host of others on
the back burner.
Dark Avenger is a must-read for pulp hero fans, and anyone interested in the history of the pulps in general. Get yourself a copy quick, or the Shadow will know.
No comments:
Post a Comment