THE LIGHT-KILL AFFAIR
by ROBERT HART DAVIS
(attributed to Harry Whittington)
Deep in an
uncharted jungle, Solo and Illya come to death grips with THRUSH's new, most
lethal weapon, a madness-spawned, all powerful cannibal plant which feeds only
on one kind of food—human flesh!
Issue 12
January 1967
THE TWO
MEN crept through the jungle quiet, slowing involuntarily, puzzled and infected
by the poison of unexplained dread.
Actually,
silence is even stranger in a Central American jungle than in noonday
Manhattan. The deeper they penetrated this unearthly stillness the more they
suffered from the unrelenting intense humidity.
"Something's
fouled up, Diego," Don Sayres whispered, feeling as if his voice carried
like the crack of a rifle.
"I'm
afraid we're lost, Senor Sayres," Diego said.
"Something
more significant than that. Where are the monkeys? Where are the birds? This
place is deadly quiet."
Sayres
stopped walking, held up his hand. A blue-green haze hung over the rotted swamp
growth. Distantly above them through a tight-woven vine canopy the sun
glittered.
"What
sort of compass reading you get, Diego? I have no idea where we are."
"The
needle whirls," Diego said. "Only this has not changed in the last
hour."
"Okay.
Forget the compass." Sayres' handsome young face was masked with sweat and
anxiety narrowed his eyes. He turned all the way around, not afraid, but deeply
concerned. No matter where he looked, there was only matted swamp life, and his
own breathing was the loudest sound.
"Look
for some kind of high ground. We'll setup."
Diego
nodded and hacked his way through ferns, vines and wild lilies with his
machete. Finding even a knoll open to the sky was a matter of an hour's search.
Diego shinnied up a cabbage palm, searched with his hand shielding his eyes. He
found something to his liking and leaped to the muck, nodding.
On a
grassy island in the tangled swamp Sayres opened the small kit he'd carried
strapped to his back.
Diego
Viero watched, awed, as the kit offered up electronic gear like a conjurer's
bag.
"It's
been a long time I've been away from headquarters," he said.
"U.N.C.L.E. had no such gear the last time I was there."
Sayres was
too intent upon his work to reply. What unfolded to look like a small radar
skeletal proved to be a long range viewer with a breathtaking difference.
Sayres adjusted it and when he and Diego studied it the small dial was homed in
on a distant area as clearly as across an open plain.
Sayres
explained quickly the operation of this viewer to Diego.
"What
I want you to do," he said, "is to turn this knob, which moves the
scanner on a three-hundred-sixty-degree area. At each turn, fine-tune with this
knob, which will home in on given distances as if there were no trees or jungle
in the way. Move it s1owly. Check it from zero to its ultimate reach; then move
on to the next setting."
Diego
nodded. "You mind saying what I'm looking for, Senor Sayres?"
Sayres was
already setting up a two-way radio transmitter in a pack no larger than the
palm of his hand.
"I
wish I could tell you," he said. "I think you'll recognize it as
quickly as I would. We want to pick up anything that doesn't belong in this
jungle, man, woman, building or child. If Dr. Ivey Nesbitt is down here—and I
no longer think he is—we'll find him out here, or we won't find him at all. And
my bet is we won't find him at all."
"Why
have you come so deep in this place if you feel our search is doomed to
fail?"
Sayres
gave the Spanish-born agent a faint grin. "You have been a long time away
from headquarters, Diego. Ours is not to question why. Waverly says a man named
Ivey Nesbitt has disappeared. The U.N.C.L.E. computers churn, the facts are
sifted, and Waverly tells Solo to assign a man to find Nesbitt and bring him
back home. So here we are."
Diego
started to speak, but Sayres lifted his hand, silencing him.
He spoke
into the miniature microphone. "Open channel six, please. This is Equator
calling Chancy, please."
After a
moment, Alexander Waverly's crisp accents crackled on a speaker even smaller
than the microphone. "Chancy here, Equator. Recording systems set. Go
ahead with your report, please. Over."
Sayres
gave his precise latitude, longitude bearings. "We are now set up for
long-view scanning. We will now take a three-hundred-sixty degree reading. If
you will hold this channel open, we'll make our report."
He handed
the small set to Diego, who held the microphone close to Sayres' lips.
Sayres
took over working the long-view scanner. He set for distance, for range,
direction, then worked the fine tuner. He worked casually, expecting nothing,
making his report lethargically.
Suddenly
Sayres swore in startled surprise.
Diego
forgot the open channel. He gripped Sayres' arm. "Senor! What is it?"
Sayres
shook his head, waving the other agent away. He stared at the small scanner,
speaking into the mike, his voice flat with disbelief. "It's a laboratory,
sir. At first it looked like a large green house." He gave the reading on
the range and distance finder as from his bearing. "This makes even less
sense. But here goes. The lab is glass walled. Makes it easy to see inside. In
there, the place is equipped like General Electric.
"I
don't believe it. There are at least half a dozen people working down there,
although there are no other buildings around, and absolutely no roads leading
in or out of the clearing… Oh, there's the answer to that, sir. A helicopter.
That's how they come and go, all right. And in the lab is plant life, exactly
like that growing outside, which makes no sense at all, except that some of the
plants are in smallest pots and others are giant-sized. And now everybody down
there is running around wildly, like ants in a stirred hill, and—"
Sayres
stopped talking when Diego cried out.
Sayres
dropped to his knees, turning, radio and scanner forgotten.
Death flew
in on a silence even more intense than the eerie quiet they'd plodded through
all morning.
Sayres
stared at Diego. It was as if he were suddenly illumined by a million-watt
intensification of sunlight. He straightened convulsively and then crumpled
dead to the ground.
Sayres
plunged forward, scrambling away from the dead agent and his gear.
It was
then he realized that something had broken the silence, a sharp hissing sound.
Sayres
threw himself into the concealment of a tree, gazing across the knoll and the
jungle beyond. The tops of the trees, the high vines, everything had been
crisped, burned gray and dead.
Then
Sayres saw the beam of light swing across the tops of the trees, leaving
petrified ash in its wake.
The beam
returned, lower this time.
Sayres
held his breath, crouching behind the tree. He no longer deceived himself; this
tree was no more protection against that beam of light than a leaf.
He heeled
around, crouched low and plunged into the swampy undergrowth. Behind him he
heard the hiss as the light burned trees, leaves, vines, searching for him.
He did not
stop to look back. He didn't have to, because the light beam reached beyond
him. The range was being steadily increased and he saw that they were going to
let him run into it.
He flung
himself face down into the mud. He thrust his hand into his jacket and brought
out a small vial with spray attachment.
Holding
the nozzle toward him, Sayres closed his eyes and turned, sitting up. His thumb
came down on the sprayer, but it was too late. The light beam struck him,
seeming to glance across him.
He stayed
a moment in that rigid position as if instantly petrified by that incredible
heat. He tottered slightly, and then did not move again. He was dead.
TWO
NAPOLEON
SOLO faced the four people about the conference table.
"And
that's it," Solo said, scowling. "Sayres' report ends there,
abruptly."
Solo was
medium tall, slender, with dark brown hair, now mussed. He could have been, at
first glance, a doctor, lawyer, advertising man. Despite the conservative cut
of his business suit, he didn't belong to the ordinary career world. He was
skilled in the strange art of super-spying.
"I
believe the outcry came from the young Spanish agent," Alexander Waverly
said.
Of an age
known only to himself and U.N.C.L.E. computers, neither of which were at all
communicative on the subject, Waverly was the veteran of two world wars,
several police engagements, and a dedicated referee in a continuing cold war.
"He
must have died first," Waverly said. "What was his name? Oh, yes.
Diego. A good man. He'd been down in Central America for some years. Due a
transfer. It was his report that first confirmed my suspicions that perhaps Dr.
Ivey Nesbitt was down there."
"Sayres
must be presumed dead, too," Solo said. Death was a part of his daily life
in the United Net work Command for Law and Enforcement, but each loss of one of
his men diminished him by that much, struck him with an anguish he carefully
concealed.
"Then
the next move is up to us," Illya Kuryakin said. "Some body killed
Don."
Illya
stood up. Slender, youthful appearing, with a Slavic face testifying to his
ancestry and unruly blond hair showing him too concerned with the business of
life and death to care much for grooming. "Don was a personal friend of
mine. I'd like the assignment."
"I
should have the assignment," April Dancer protested. She had the kind of
loveliness that in a less taut moment made business difficult of transacting.
You never observed her once without looking back again in pleasure and
disbelief. Admiring April was like taking one of those quickie European tours;
there wasn't time to appreciate the view.
"If
you'll remember, Napoleon," she said, "it was my assignment in the
first place. At the last minute Don replaced me."
"There
must have been a good reason why you were replaced, April," Mark Slate
said in his perfect English diction. He pushed his hand through his matted
light-brown hair. "The jungle is no place for a woman, especially when we
don't even know what killed those two men. I think I—"
"And
I think I've heard enough!" Waverly stood up suddenly. The command room
rang with the sound of his voice. "Is this a quiet Monday in some small
town fire station? I understand that each of you feels deeply the loss of a man
like Sayres. I am not unmindful of the sadness of this situation for all of
you. But you are all professional people. You've been here long enough to know
assignments are never made on basis of personal involvement."
April,
Mark and Illya glanced ruefully at each other.
Waverly
said, "Now, if we may get on with the pertinent aspects of this case. Our
report pins down the precise location where Sayres set up the scanner and met
his death. He reports a large laboratory and gives us its exact location in
relation to his position. This is our last contact with Sayres.
"But
it gives us a great deal to work on, more than we have bad. And the fact that a
jungle laboratory has been so handsomely equipped convinces me that Dr. Ivey
Nesbitt is down there. Is that you conclusion, Mr. Solo?"
Solo
nodded. "It's worth further investigation. I believe this lab is part of
some plan of THRUSH, and I believe that if Dr. Nesbitt is down there that he
has gone over to THRUSH."
"We
don't know how Diego and Sayres met their death," Waverly mused. "But
it is clear that they were being as closely watched as possible. Even when
Sayres set up the scanner, the people must have known it through some detection
system unknown to us yet."
"I
can't understand why Sayres failed to activate his plastic shield," Illya
said. He placed a small vial on the table before him. This matched the sprayer
Sayres had brought from his pocket in the jungle at the instant be was killed.
Illya
touched the nozzle. A faint mist appeared and hardened instantly into an almost
invisible shield of plastic.
"Looks
like death was instantaneous," Mark Slate said. "We know he had the
warning of Diego's outcry. That's there clearly on the tape."
"Exactly,"
Waverly agreed. "For that reason, Mr. Solo, I suggest you follow up this
investigation personally. However, I suggest you make no contacts, even with
our own people, except to hire a guide when you reach San Miguel. And I'm sure
I hardly need urge you to travel incognito."
THREE
THE
SLIGHTLY stooped man who disembarked from the banana boat in the port city of
San Miguel bore no resemblance to Napoleon Solo.
He wore a
shapeless panama hat, wrinkled white coat and creased white pants. His string
tie was awry at the collar of his sweated shirt. He stared at the world over
the tops of rimless glasses.
He carried
a small pack, a straw suitcase and an oversized butterfly net. He drank anejo
on the rocks in a waterfront bodega and asked for a guide who might lead him
far into the jungles.
The
bartender smiled at his other patrons. "And what would a man like you be
looking for in that jungle—armed with just a net?"
"I am
a hunter of rare species of butterflies and other lepidopterous specimen,"
Solo said. "I believe the rarest species of all are to be found in your
inner jungle regions."
"That's
a big net for butterflies," the bartender said.
"I
don't want to hurt them."
The
bartender grinned slyly. "It's beeg enough to catch girls,
Professor."
"I
don't want to hurt them, either," Solo said.
The,
bartender laughed. "You're all right, old fellow. But I don't think you'll
find a guide to take you into the jungle. Only recently two men went from this
town into the jungle and have not returned. The guides don't even like to go in
there now with game hunters. I know they won't want to go with nothing more to
protect them than a butterfly net."
"I'm
sure that's all the protection we'll need."
"One
goes into the jungle, he finds trouble," the bartender said, shaking his
head.
Solo shook
his grey head and gave him a bland smile. "Perhaps this is true for those
who seek trouble, sir. But trouble is the last thing I am looking for."
The
bartender's words followed him into the dusty street. "Just pray that
trouble isn't the first thing you find, senor, no matter what you are looking
for."
Solo
walked down the dirt road and stopped before the man sitting in front of the
adobe house. The man's name was Carrero and he lived in the house with ball a
dozen small children and a slovenly half- breed wife underfoot. He shook his
head. "I no go in jungle. Something very bad happen."
"I am
sure this is just superstition," Solo said.
"Death
comes quiet. Silent. Quicker than the strike of a snake. The jungle is burned
dry by the touch of this death."
"Butterflies,"
Solo persisted with that bland smile.
He kept
smiling and placing money in a small green stack before the widening eyes of
Carrero and family until the anguished man could no longer resist what looked
to him like a fortune.
Senora
Carrero wept and the children ran out in the potted road, clinging to Carrero's
tattered pant legs.
Solo gave
the children candy and placed ten dollars in Senora Carrero's trembling hand.
"Buy yourself a hat, Senora, and I vow to bring your husband back
safely—and with a huge butterfly to wear on your bonnet."
But before
they were ten miles into the swamplands, Solo found the shuffling gait of the
lepidopterist too slow, and the large net, which caught on every obstruction, a
burden and he discarded both.
Carrero
regarded him with sick eyes, seeing they were not on the trail of insects after
all.
That night
the drizzling mists in the rain forests washed out the last traces of dye from
Solo's dark brown hair. When he wakened the next morning from his sleeping
hammock, he tossed aside the rimless glasses.
Carrero
stared at him in sick horror.
Solo
winced, knowing the man was seeing a bearded young man in place of a kindly
gray elder.
Carrero
looked about as if seeking an escape.
"Don't
run," Solo warned him.
"You
are no butterfly hunter. You are here to seek trouble. Bad trouble. I owe you
nothing. I do not have to stay."
Solo gazed
at him levelly. "If you stay with me, I'll make every effort to protect
you. I vowed to your wife I'd return you safely, even if I begin to wonder what
it is she prizes about you. If you run, I promise you, you'll never make it
back—except in pieces."
Carrero
stared at him a moment defiantly, and then lost all defiance. "Senor, I am
a simple man. I want no trouble. Please. A simple man."
"Then,
let's leave it that way. You take me where I want to go and I'll bring you
back."
Carrero
rolled his black eyes, and crossed himself three times.
On the
third morning Solo stared at the small round object Carrero had puzzedly
watched him study often since they entered the jungle.
"We've
reached the place I was looking for," Solo said. "Relax."
"How
do you know the place if you have never been here?" Carrero asked, shaking
his head.
"By
this gadget. It was set be fore I left New York. Not even disturbances that
throw off a compass will alter it. The horizontal and the vertical red lines
are exactly one on the other. Do you see that?"
Carrero
nodded, but he hardly dared look at the small object—undoubtedly witchcraft. He
glanced about, seeing nothing except the grassy knoll, like an island in the
sea of jungle pressing in upon them.
But Solo
had forgotten the frightened guide. He opened his kit and set up a long-view
scanner exactly like the one Sayres had used in this place except that it was
set as to range and distance to the markings given in Sayres' report.
Solo tuned
in the gear. The small viewer showed him nothing but a rectangular area of
marshy under growth. Every test proved that the settings were right.
Solo
swore.
Carrero
ventured forward timidly. "What is wrong, Senor?"
"Everything,"
Solo spoke mostly to himself. "There's no building down there.
Nothing."
"Building,
Senor? Naturally not. Not here in this jungle."
"Well,
there's supposed to be! There's got to be!" Solo spoke vehemently and the
guide retreated a step.
He reset
the dials, glanced at Carrero. "You want to go with me?"
The guide
nodded, eyes wide. "I wish only not to be left alone in this place, even
for a minute."
"Then
stay close behind me."
"Senor
need not worry about this, either. As his shadow is there, so will I be."
They
plodded through under growth until the red lines of the dial matched again.
Solo spent an hour chopping away the high swamp growth.
He felt
the emptiness of defeat. According to Sayres' final report, a glass-walled lab
had stood only days ago in this place, a cleared area with space for landing a
helicopter.
He shook
his head. There was no trace of building and it seemed incredible that vines
and trees could grow so lush in such a short time.
"No!"
He spoke aloud. "There's got to be an answer." He stared at Carrero
without really seeing him. "We've got to find it, that's all."
Solo
prowled the underbrush a moment. Then he said, "Carrero, you're a jungle
man. You could find out where you were by the growth, feed yourself, if you
were lost, eh?"
"You
think us hopelessly lost, Senor?" Carrero's face twisted.
"No.
But I think if these plants are younger, newer, it should show. Do you
understand?"
"Young
plants, no matter how tall, are more tender than the older. Young plants seldom
have the berries that sustain life."
"Now
you're thinking, Carrero. That's what I want. You find where these young plants
meet older growth. We should be surrounded by it. Mark it all out, and we'll
narrow down the area that much."
In less
than an hour, Carrero had hacked out a rectangle that could have been the base
for a glass-walled laboratory. Inside this area, Solo hacked with machete until
he found what he had been sure must remain, the foundation for those walls.
He shouted
in his pleasure. Carrero came running. Solo was smiling through his three days beard,
sweat and mud.
"Here
it is! Here it stood. Look, traces of garbage, food tins, broken glass, inside
this foundation footing. We've found our butterflies, Carrero!"
"Si!
Si!" Carrero looked around timidly. "We can now go home,
no?"
Solo
nodded, hardly hearing what the guide said.
He
returned to the long-range scanner on the knoll. It was as if he had found the
key piece of a jig saw puzzle. Everything else fell into place.
He found
bits of electronic gear to show where Sayres' scanner had been destroyed. He
found bones and teeth that must once have been Diego Viero and after a long
search he found shoes with the x-marked identification tags.
He gazed
at the tags before he dropped them into his pocket. His face was bleak. Not
only had Diego and Sayres been slain, but their bodies and their equipment had
been destroyed.
"All
right, Carrero," Solo said at last. "Let's go home."
FOUR
THE NIGHT
BEFORE they reached the village where Carrero lived, Napoleon Solo stepped back
into his stooped, gray-haired person as the naturalist. Carrero watched in
disbelief as he dyed his hair, donned rimless glasses.
Carrero
spoke hesitantly. "You are a man for whom I have learned great respect,
Mr. Solo. You are a very smart man, but more, you are a brave one. I am glad,
now that I reach safety, that I accompanied you on this strange trip, even if I
went reluctantly."
Solo
nodded absently. "Thanks, Carrero. You're a brave man, too."
"No.
I am a man who thinks of his wife—fat as she is—and his children. I worry if I
do not return alive to them."
"It
won't be long now."
"I
know. This troubles me. You return now to your disguise. This means that though
trouble has ended for Carrero, it is not over for you."
"I'm
afraid it hasn't really begun yet," Solo said in that bland tone, peering
over his glasses.
At ten the
next morning, Solo tottered into the shipping office at the San Miguel docks.
A young
man stared at him across the desk. "May I help you, sir?"
"Yes.
You can." Solo's voice was testy. "Indeed, you'd better. I have been
expecting a shipment of scientific equipment. I can't even preserve my
priceless specimens without it. It should have been delivered to me days
ago."
"I'm
sorry, sir," the young man said in a voice that couldn't have cared less.
"If your materials had arrived, they would have been delivered to your
hotel."
Solo
pounded on the desk. "They arrived on the same boat with me, young man!
Don't take that tone to me! Ill report you to the head of this company."
The young
man shrugged. "You do that, sir."
Solo
practically danced in impatience. "See, sir, I was an instructor of the
man who owns this company. A word from me and you'll be reprimanded for your
incompetence. Now I shall go back and inspect the shipping in your warehouse. I
have no doubt I'll find my materials rotting back there!"
Solo
strode toward the rear of the huge warehouse. The young clerk ran around the
desk. He shouted, "You can't go back there, sir!"
But Solo
was already through the doors into the dark cavernous storage rooms. The young
clerk stopped at the door. Perhaps the old fellow's goods had been misplaced by
some of the native handlers. Maybe he did know the company president. And
besides it was too hot to run in this weather
Solo
wasted no time in pretending to look for a non-existent shipment of scientific
materials. He knew what he was looking for and he searched, swiftly,
diligently, and successfully.
He
straightened from the feigned stoop of the naturalist and gazed at the huge
crates. He walked in triumph among them. He was incredulous at the variety of
articles being transferred, lab euipment, materials, and crate after crate of
plants, all seemingly alike, and all of different stages of growth.
Pleased,
he ran his hand across the address label. All were addressed the same: Via Air
Freight from Mexico City to Helena, Montana, and reshipment by freight to Big
Belt, Montana.
He heard
the whisper of sound behind him. It was like the skittering of mice, and yet he
went tense, instantly alert to danger.
The three
men were young. They were Latin, dressed sharply. They walked shoulder to
shoulder in their dark shirts and ice-cream suits and sleek new panama straw
hats.
Solo was
not fooled. The dark outline of shoulder holsters showed at their armpits.
They
approached him steadily, their smiles fixed and unwavering. There was evil in
their smiling, older than any of them.
Solo felt
the hackles rising along the nape of his neck and he grinned blandly at them,
retreating.
"Stand
still, old fellow," one of them invited.
"What's
the matter, young gentlemen?" Solo asked in the quavering voice of a
teacher.
"We're
going to take you apart, Uncle, and find out what's the matter," one of
them said.
"There's
some mistake, Solo said, retreating.
They came
toward him steadily.
"We'll
know after we take you apart, Uncle," one of the attackers said.
"If
we are wrong, we'll apologize––"
"Yeah.
To each separate part of you," the third said, laughing as if drunk.
Suddenly
Solo grabbed a case and jerked it between himself and the three men. The crate
landed with a crash.
Solo
didn't wait to see what happened. Bent over in the manner of an old man, he
raced toward the rear exit of the warehouse. He saw the sunlight out there, the
open docks, the waiting ships at anchor. They looked incredibly far.
He thrust
his hand into his jacket pocket, drew out a friction bomb. It was no larger
than a capsule.
Still
running, he turned and threw the capsule with all his strength toward the
packing cases.
The
explosion and fire were brief but intense. Concussion drove the men back. Solo
ran.
He ran out
on the docks without looking back. In the brilliant sunlight, he paused. The
piers stretched endlessly in the silence and the heat. Lethargic quiet lay
across the waterfront and the town.
He turned
toward town and the main street. He had not run more than a dozen steps when
one of the attackers appeared from a wall door.
He was no
longer immaculate. His ice cream suit was smudged, black and torn. His hat was
gone, but he was driven now by rage.
He had
drawn his gun and when he saw Napoleon Solo he fired.
Tuh. Tuh.
Solo threw
himself behind a small stack of cotton. The silenced gun chattered again.
Bullets splintered the dock.
Solo hung
close to the cotton bale. His sweated fingers closed on his last friction bomb.
He pressed
there, counting, his arm poised to throw. He heard the pound of steps as the
gunman ran toward him.
Now! he
thought.
He tossed
the friction bomb upward, arching it over the cotton bale. The explosion was
sharp, the screams of the young hoodlum wild, and at that precise instant, Solo
heard the tuh, tuh of a second silenced gun behind him.
He didn't
bother looking over his shoulder. He burrowed there in between the cotton and
the wall of the building.
"Ho,
Pedro!" The call came from farther down the wharf.
Nearer,
the first gunman still yelled in agony.
The second
had slowed now, made wary by what he saw happening to his partner.
They
approached the cotton warily, waiting until the three of them were regrouped.
They spread out slightly now and crept forward in tile sunlight, guns drawn.
From where
he crouched, panting, Solo watched their shortened shadows creep toward him.
The biggest part of the shadows it seemed to him were the guns in those
outstretched hands.
"Ho,"
one of them said. "Why should we walk in on him and his friction bombs?
Fire from where we are into the cotton. We drive him out, or we kill him. It's
all one."
"I've
a better idea," said the man who'd been blasted a second time. "Burn
him out. I want to burn him out."
Crouched
under the bales of tinder-dry cotton, Solo watched the wounded man, crazed with
rage and pain, set flame to waste from a cigarette lighter.
Solo held
his breath. It was time to move. Gripping his fist closed as if holding a
friction bomb poised to hurl, he lunged out from beneath the cotton bale,
directly in the path of the pain-crazed hoodlum.
The man
toppled back and screamed like a woman. He had learned twice, the hard way,
about friction bombs.
His
terrorized screams halted his pals for a split second. The frightened man
forgot to hurl the fiery waste. The flames seared his hands. He cried out
again.
He
released the waste and the flames flickered, falling along his arms and inside
his coat.
Solo kept
moving. He struck the man hard, carrying him down and along the heated planks.
He rolled
over quickly, putting the yelling man between him and the other two gunmen.
Before the
frightened man could recover his wits in any part, Solo drove his extended
fingers into his Adam's apple. Solo's other hand was ripping the gun from the
hood's relaxing grasp.
Solo fired
upward, with the dead weight of the hoodlum as his shield.
A shoe
caught his wrist and the gun flew from his hand. He heard it rattling along the
planks. At the same instant he heard, rather than felt, a shoe driven into his
face.
They were
on him then. The burned man was jerked away from him, and they worked him over
smoothly and professionally. They ripped away his glasses, tore off his jacket.
They pulled off his shoes and dragged him across the wharf to the water.
Distantly,
Solo heard a man's shouting. It was unreal. It was as if someone called his
name from some remote place—
His head
bumped across the planks, but there was no place for new pain in his body; all
agony trunk lines were overloaded; new messages had to wait.
He heard
the shouting growing closer. He heard the two men swearing. One of them said
savagely, "Let's get out of here!"
Solo's
head banged the thick planking at the edge of the wharf and for a moment he
hung over the side. The water glittered impossibly far, brighter than the sun
and as distant.
Then he
was being pulled back to the dock, and he recognized the voice of Carrero, his
guide.
Solo
stretched his eyes wide, trying to see Carrero's face, but all he could see was
the blinding red ball of the sun.
Carrero's
voice was quavering with concern. "I came looking for you, Senor. I
worried. I thought you would not look right without your butterfly net. I went
out and found it for you."
Solo
grinned, whispering it. "What you did, was, you saved my life, old
friend."
He tried
to smile, but knew his face was a bloodied, hideous caricature of smiling.
FIVE
IN THE
pressurized Pan-American jet cabin at thirty thousand feet, Napoleon Solo
sweated.
He heard
people chatting calmly around him. A stewardess tried to engage him in
conversation, but he was in too much discomfort to think casually.
He went
back over all he had seen, and had not seen, what he'd found and failed to find
in that jungle.
He was
still kicking it around in his mind when the plane set down at Kennedy airport.
He passed through customs, came out on the concourse and hailed a taxi.
The cab
driver had just missed making a killing in the market. He told Solo all about
it on the ride into Manhattan. He was still explaining the details when
Napoleon Solo stepped out of the cab in the east forties.
He walked
toward the gleaming structure of the United Nations Building which dominated
the neighborhood.
Going down
a flight of steps, Solo entered Del Floria's Cleaning' and Tailoring shop, an
unprepossessing establishment in the basement of an ordinary-appearing
whitestone building in the middle of a long block.
At the
rear of the shop, Solo passed through a curtained dressing room; soon he
entered the charged atmosphere of United Network Command for Law and
Enforcement headquarters.
It was a
gleaming place of chrome and steel where men and women moved swiftly.
The
building itself quivered with the electronic feelers that reached out from roof
and under ground to the farthest crannies of the earth, continuously sending
and receiving messages by every known method from carrier pigeon to the
highest-secret sound-by-light apparatus.
At the
admissions desk the young receptionist pinned an identification tag to Solo's
lapel. This tag would be scanned and read and approved by concealed electric
eyes every few feet throughout the labyrinth of corridors.
Solo had
gone only a few steps when lovely April Dancer came hurrying from one of the
many elevators. "Solo." She touched his arm, wincing slightly at the
sight of his bruised face. "What did you learn about Don?"
"I'm
afraid he's dead," Solo said.
"You
look as if you'd met his enemies. I hope they look even worse than you
do."
"Afraid
it was THRUSH's inning this time, April. But at least I know they were there,
even if I don't why, or where they got to."
"You
look ready to fall on your face."
Napoleon
Solo tried to smile. "Nothing that a little loving care wouldn't improve.
How about dinner after I report to Waverly?"
"Afraid
I wouldn't be very good company," April said. "Just can't get my mind
on pleasure—this dreadful business we're in."
Solo
smiled at her. "Man does not live by dread alone, April."
April
squeezed his arm. "Why don't you see me after you've talked with
Alexander?"
Solo
hadn't realized he was still smiling faintly when he faced Alexander Waverly in
the Command Room until the chief demanded testily, "What do you find to
smile about in a battered face like that?"
Solo wiped
away the smile. "No, sir," he agreed. "There's nothing to smile
about."
He made a
full report of his arrival in San Miguel, his trek into the jungle. "At
first I thought the whole thing was insane. There was absolutely no trace of
this laboratory that Sayres described in such detail. In fact, the jungle in
that spot looked exactly like all the swamp around it."
"Impossible."
"That's
what I thought. But I was able to find the general outline of where the lab had
stood—less than a week before!"
"Plant
life grows lushly in the tropics, Solo," Waverly said. "But nothing
like this."
"Nothing
like this," Solo agreed. "Plants, vines, trees growing, full height,
where a lab had stood a few days earlier. There is some kind of artificial
stimulation of growth here, and as far as I can see, this must be behind
whatever project THRUSH is working on."
"You're
convinced THRUSH is behind this?"
Solo
touched gingerly at his bruised face. "Physically I am convinced, sir.
THRUSH—or somebody—left three guards at the port shipping warehouse to be sure nobody
pried into the shipment of plants and equipment."
"Obviously
you pried," Waverly said with a faint smile.
"I
have the scars to prove it," Solo said. "But I also have an address.
Big Belt, Montana. I could barely locate it on any map. A village in the Big
Belt Mountain ranges."
Waverly
stood up, smiling crookedly. "I am proud of you, Solo. And I don't often
say this to my men. I don't like to spoil them."
"I
didn't find out how Sayres and Diego Viero were killed," So lo said.
"But somehow, all traces of their body, clothing and equipment were
destroyed, as if by some kind of intense heat."
Waverly
nodded. "You'll want to be most cautious then."
"Sir?"
"When
you arrive in the Big Belt Mountains. Our computers showed an area of
disturbance up there. We dispatched Mr. Kuryakin to investigate a short time
ago. You will join him at once via jet and copter."
Solo
opened his battered mouth to protest—he could barely walk and he was looking
forward to a hot shower and a date with April Dancer, in that order—but he was
too tired to make the effort. Mr. Waverly was like the umpire in a baseball
game. You couldn't win, disputing one of his decisions anyhow.
SIX
ILLYA
KURYAKIN stepped off the Greyhound bus into the flat village silence of Big
Belt, Montana.
"You're
sure this is the place?" he said doubtfully to the driver.
The driver
grinned at him. "Leave the driving to us."
"Your
driving was all right. I'm worried about your sense of direction," Illya
said. He stared along the single hard packed main street, the dusty trees, the
aged, wind abrased buildings.
Inside the
cafe-bus station, Illya inquired about the four-wheel jeep that had been
ordered for him.
The clerk
behind the desk didn't even bother looking up. "Afraid that jeep's not
ready, sir."
"But
we ordered it ready and waiting!" Illya said, annoyed by the villager's
apathy.
The clerk
shrugged. "Like I said, I'm sorry, mister."
Illya
counted a slow ten. He managed a smile. "Where is the jeep?"
"Round
the corner there at Mapes' Garage. You can't miss it."
Illya
grinned. You couldn't miss anything in this town.
The bus
was gone and there were only a few people lounging along Main Street when Illya
stepped out on the walk.
He turned
right, going past a grocery store, a dress shop toward a bar and the side
street.
The gun
that fired was not silenced. The rifle cracked and instinctively Illya toppled
forward. The bullet sang waspishly past his head.
Illya
crawled forward, then sprawled behind the questionable concealment of a rain
barrel.
He did not
move for a moment. He tried to make sense in his being ambushed. Friendly
little town. No wonder U.N.C.L.E.'s computers kept spewing out reports of
turbulence in the area, mysterious influx of strangers, sudden unexplained
activity.
Cautiously,
Illya edged his unruly blond head around the barrel. He stared across the
street. A two-storied brick hotel, a window open, a curtain riffling in the
breeze. The shot had come from that window, all right.
He waited
another few seconds. The rifle barrel did not reappear in that window.
People ran
out of stores, and at the hotel men and women were shouting.
Illya
leaped up from behind the rain barrel, taking advantage of the excitement and
people milling in the streets.
He almost
bowled over a stout man in straw hat and smudged butcher's apron outside the
grocery. The man yelled involuntarily.
"Charming
little town," Illya said to him, bowing as he hurried past.
"Charming. Loud, though."
The greasy
mechanic at Mapes' garage had run halfway down the block as Illya rounded the
corner.
"What's
the excitement?" the man called to Illya.
Illya
forced himself to walk slowly, speak casually. "Tire blew out."
"That
a fact?" The mechanic's face showed disappointment. "Could have sworn
it was a deer rifle. Thought I knowed a deer rifle for sure. You positive it
was a tire?" He fell in beside Illya and walked back to the littered
garage-filling station with him.
Illya
gazed in sick disbelief at the jeep parked on the garage ramp. The four tires
were pancaked flat, the hood was up and he saw the wiring had been ripped
loose.
The
mechanic said, "You the fellow ordered this jeep? It was ready. Last night
I checked it out myself. It was all ready for you. But this morning, when I got
here, I found it just like this."
"My
grandmother always said never waste time crying over spilt milk," Illya
said. "Let's get to work."
"Your
grandmother live around here?" the mechanic asked.
"Why?"
Illya bent over the engine.
"Lots
of folks have that saying around here. I never really knowed what it
meant."
"You
repair the tires," Illya said, "I'll get these wires back
together."
In less
than half an hour the tires were fixed and Illya had the jeep engine purring.
"Never
heard that car running so sweet," the mechanic said admiringly. He smiled
at Illya. "Say, you ever want a job as a mechanic, you got one with
me."
"I'll
remember that," Illya promised. He swung into the jeep.
"You
going up in the Big Belts prospecting, mister?" the mechanic shouted.
"Why?"
"Lots
of men up there prospecting lately. Never have seen so much action going
on."
"Not
me," Illya assured him with a bland smile. "I'm just looking for the
place where the deer and the antelope play."
A few
miles outside the settlement the hard-packed road ended. An ill-defined trail
led upward to ward the foothills and the raw brown mountains rearing above
them.
The car
rattled as if the rocks would shake it to pieces. Illya clung to the wheel,
bouncing on the hard seat.
He
frowned, hearing distant thunder.
He checked
the sky, finding it cloudless, sun-struck. But the thunder rumbled closer.
Illya
turned, staring across his shoulder. His eyes widened. The noise was not
thunder. From the foothills south of him a Cessna four-seater raced toward him.
He tried
to tell himself that cattlemen and coyote hunters used small planes up here.
But in less than two minutes, Illya admitted that the Cessna was zeroing in on
him.
The plane
banked, losing altitude. Watching it, Illya almost drove headlong into a
boulder.
He jerked
the car back onto the trail at the moment someone in the Cessna opened fire
with a repeating rifle.
Illya
yelled, clinging to the wheel. This attack was senseless. But it occurred to
him that the attack from the hotel window in Big Belt village hadn't made a lot
of sense, either.
Illya
stepped down hard on the gas.
The plane
zoomed down, hawk-like, in pursuit. Bullets battered the little car, windshield
shattering.
Holding
his breath, Illya watched the plane climb slightly as it passed.
He looked
about for concealment, but there was none except boulders and stunted trees. He
stepped harder on the gas, climbing toward a distant hammock of pines.
He wasn't
going to make it. He watched the plane bank daringly and turn at a few hundred
feet, maneuvering with maniacal skill.
The plane
returned, coming directly down and toward him.
Illya
leaned forward into the protection of the dash. He whipped the jeep off the
trail into a cluster of boulders.
Rifle
bullets ricocheted off the hood and black holes pocked the shatter-webbed
windshield.
Kuryakin
swore. The boulders slowed him, but didn't impede the plane at all.
"Doesn't
make sense letting them drive me out into these rocks," Illya said aloud.
He quickly
whipped the little jeep back toward the trail. He cut across country, heading
toward the pine hammock on the ridge.
The plane
banked, making a steep turn. The roar of the plane engine was louder than the
rattling of the jeep.
Suddenly
Illya smelled gas. Nobody had to point out to him that the rifleman had scored
a hit on the gas tank.
A tire
whistled and the car listed, bumping frantically down slope. Another tire went
and Illya lost control in the shale and rock outcroppings.
The plane
had reached a turn. It climbed slightly and peeled off, returning.
Raging,
talking to himself and sweat-wet, Illya slammed on brakes so hard the jeep
side- slipped.
Catching
up his overnight kit, Illya plunged from the car, striking hard on his knees.
He felt the cuts of the sharp rocks, but had no time to submit to pain.
He thrust
himself hard into the shadow of the boulder. He heard bullets rattling off the
jeep, the shatter of glass, the scream of engine and fuselage as the plane
passed less than a hundred feet above him.
He opened
the bag, inching around the boulder. He watched the banking plane, saw it skid
along the wind, making its turn for another pass.
He drew
his U.N.C.L.E. special from the bag and socked an extension barrel on it,
flipped up the telescopic sights.
Above him
and directly before him the Cessna faltered as if pilot and gunman were seeking
him in the rocks, trying for a final and fatal pass.
The plane
moved swiftly. It nosed toward him again, the rifle spitting red.
Pressed
against the bounder, Illya coldly set the special, sighted through the
telescopic glass. A section of the plane was magnified for him, brought inches
before his face.
Around him
shale and rock chips flew as the bullets clipped them from the approaching
plane.
Illya
Kuryakin held his breath and pressed the trigger.
He shot
only once. He sagged against the boulder then and waited.
For a long
time it was as if nothing happened, as though he'd missed. He knew better.
The sleek
plane flicked past, its shadow slapping at him and for a brief instant shutting
away the sun.
Slowly,
Illya turned, watching the plane. It fled outward as if one with the wind. It
banked, started an Immelmann, and then it was as if the string ran out.
The Cessna
stopped, suddenly, as if it had struck an invisible wall. It faltered, wavered,
went out of control. Nosing over, it plunged toward the earth far out in the
rocky hillside.
Illya
remained unmoving watching it. It was already burning before it struck the
rocks. It landed with a wild explosion that rocked the hillside like a mild
quake.
Illya
sagged against the rocks, and put his blond head back.
His face
was expressionless as he stared upward into the infinite blue.
After a
moment he lifted his head and gazed out there where the remains of the plane
and the land around it for a radius of fifty feet still burned.
He got up,
slowly, dismounting his gun and replacing it in his over night bag.
He
inspected the gun-battered jeep. The job they'd done on it was thorough. The
windshield was webbed, gray and opaque. Two tires were flat. Gas leaked to the
ground. Even if he could make it run, it wouldn't go far.
He stood
up, shoulders sagged round. He turned tiredly, inspecting the hills, the flat
graze land, the wild mountains and the ranges lost in the blue haze. And this
was when he heard the drone of another plane motor.
A shudder
racked his body.
He was too
tired to feel fear, or even rage. He toppled against the jeep, staring into the
bleached sky.
It came
racing toward him. The motor was different and he recognized that it was a
helicopter. It could still chase him like a fox through this rocky country.
"Somebody's
trying to tell me something," he said. He sighed and opened the overnight
bag again. He'd have to have his answer ready. They were persistent.
But he was
stubborn.
ACT II—THE SUMMONS TO DEATH
ILLYA
KURYAKIN slapped the Special together again and snapped the telescopic sight
into place.
He
straightened then, standing braced with his legs apart. Around him the rocks
glinted back at the sun and his damaged jeep leaked it's gasoline into the
sand.
The copter
engine rattled and reverberated in the rocks, drowning out everything except
the rage that gorged up in Kuryakin.
He
tightened his grip on the gun, ready to slap it into place against his shoulder
for a steady brace.
"Go
ahead! Start it!" Illya raged, his voice lost and puny in the thunder of
the chopper motors.
He shook
his fist. The helicopter circled him. It whipped around him as if battering at
him with its shadow. Then it side-slipped, flying out over the burned Cessna.
Gun ready,
Illya awaited the first move from the men he could see in the plastic bubble.
The
chopper returned to the rocks where Illya waited in impotent rage for the first
attack. Suddenly it climbed, going almost vertically above him.
"Come
back and fight, you finks!" Illya raged, shaking his weapon at the
climbing copter.
The
chopper continued upward, its engines quieting in the distance.
Illya
didn't relax because it was going straight up, not leaving.
Suddenly
the sun glinted as a plastic door was opened up there. A man hung balanced for
a moment and then plunged suddenly outward.
Illya held
the gun forgotten in his arms, watching. The jumper tumbled, one, two, three.
Suddenly
parachute ropes popped free from the falling figure. The brilliantly colored
chute budded and then blossomed like an air plant.
The figure
dangled on the end of its strings and then floated toward Illya in the rocks.
Illya
exhaled expansively, recognizing Napoleon Solo, even in the distance, even in a
jump suit.
Solo
struck the shale outcropping hard and was bobbled along like a cork for a few
seconds be fore the chute deflated.
Illya
remained where he was in the rocks. Solo unfastened the chute, loosened the
bulky jump suit and walked toward Illya, pushing his dark hair back from his
face.
Illya
flinched slightly at the sight of Solo's battered face. He looked as if he'd
gone a few rounds with a meat grinder.
But Solo
grinned, bowing slightly. "Howdy, partner. They sent me looking for
you."
Illya
Kuryakin remained tense, holding the light gun across his chest.
Solo
laughed. "What's the matter? Don't you trust anybody anymore?"
Illya
exhaled and lowered the Special. He said, still raging, "I'd tell you just
some of the violent things that have happened to me since I arrived in Big Belt
this morning, but I can see by the condition of your face that you don't really
care."
Solo
nodded, touching gingerly at his bruised face with the back of his hand.
"Right. You don't tell me your woes, I won't tell you mine."
Illya
nodded in agreement and sagged against a boulder.
Solo
strode past him, going toward the jeep.
"Where
you going?" Illya asked mildly.
"Come
on. Let's get out of here."
Illya
shook his head. "Not in the jeep. That's one of my woes that I won't tell
you about."
TWO
IT WAS
late afternoon.
Footsore,
sweated and thirsty, Solo and Kuryakin climbed an escarpment in the east range
of the Big Belt mountains.
They stood
on the brown rock ledge. All man's evil for that instant seemed dwarfed by the
purpled majesty of the late afternoon mountain ranges. The peaks jutted upward
toward the darkening sky, and beyond them higher peaks, capped with snow were
yellow and ash gray far in the distance.
"One
thing wrong with the world," Solo mused. "People."
Illya
nodded. "Funny. Greedy men won't stop long enough to look around and see
what they've got."
"Well,
because they won't, we've got to get to work," Solo said. He unpacked the
kit he'd carried strapped to his back, setting up a range-scanner like the one
he'd used in the tropics.
When the
instrument was set up, he said across his shoulder, "Just better warn you,
Don Sayres was using one of these things when he was killed—mysteriously,
instantly."
Illya
shrugged. "One way is like another."
"Pleased
you feel that way."
Illya sank
to a small boulder. He removed his dust-caked shoes. "Right now I feel
nothing but tired and hungry. Let's find out what's going on and get out of
here."
Solo
nodded in silent assent. He worked some moments in silence and deep
concentration.
Suddenly
Napoleon Solo whistled.
Illya got
up from the rock in his bare feet. Napoleon Solo moved aside.
Illya
studied the pictures jumping darkly on the six-inch dial face, or screen, a
scene picked up as sound and transmitted as light, reproduced as photographs
through any obstructions, even mountains.
Illya was
silent a long time. At last he shook his head, "I see it. But I don't
believe it. Tropical plants don't grow in Montana."
"I
believe it," Solo said. "I know where those plants came from."
"What's
the point of growing tropical plants in this part of the world?"
"There's
a point to it, all right. Those plants are growing even larger and greener and
wilder than they did down in that damned rain forest."
Illya
shook his head. "What's the exact distance and range reading?"
Solo
checked the readings. "Four miles, due west."
"That
could be a long walk."
"Yes.
That four miles is as the scanner and the crow flies."
Illya
Kuryakin pushed his feet back into his shoes. "Much as I don't want to,
we've got to get closer. We've got to get in there."
Solo
checked the flickering pictures reproduced on the tiny screen another few
moments. Illya Kuryakin sank to the rock and tied his shoes.
They both
heard the noise from the rocks behind them at the same instant.
They moved
as one man. Illya came up from the rock and Solo spun around, .38 U.N.C.L.E.
Special drawn.
They
stared down the barrel of a waiting rifle.
Tense,
they gazed at the girl holding that gun. The first thing they saw was that she
was extraordinarily beautifully, unspeakably frightened.
She
trembled, barely able to hold the rifle fixed on them. This made her triply
dangerous because her finger on the trigger quavered, too.
Her voice
shook. "Don't move, either one of you, or I'll kill you."
Solo gave
the quivering girl his blandest smile. "I wasn't planning any move."
"Nor
me," Illya said. "Matter of fact, we were just sitting here, waiting
for you to come along."
"Go
ahead. Laugh," the girl said on the verge of tears. "I hope you can
laugh as easily with a bullet in you."
"That's
the hard way, all right," Solo agreed.
THREE
"WHO
ARE YOU?" Napoleon Solo kept his voice level, afraid any undue excitement
might drive her into hysterical use of that gun. Her voice slashed at him,
quavering, but the rage riding it. "Never mind that. I'll ask the
questions."
Napoleon Solo
watched the girl narrowly. "You don't act like a professional with that
gun, but THRUSH has used more obvious gimmicks."
"THRUSH?"
The girl scowled.
"That's
right," Illya Kuryakin said. "Are you from THRUSH?"
"I
don't know what you're talking about," the girl said, hysteria mounting
behind her voice again.
"She
thinks THRUSH is a bird," Illya said.
"Make
your jokes," the girl said savagely, tilting the mouth of the rifle. Even
with the gun in her hands there was a breathtaking loveliness about her. Not
even the functional clothes she wore could truly detract from her eye-widening
beauty.
Her
hour-before-dawn black hair was brushed back carelessly from her face and
toppled in lustrous waves almost to her shoulders. She wore Levis, denim shirt
and scuffled boots as if they were the latest from the House of Dior. She
looked to be somewhere between eighteen and twenty. "Death is no joke to
me."
"You
misunderstand," Illya said. "Would you want to see grown men
cry?"
"My
father cried," she said in that savage tone. "You people made him
cry."
"Wait
a minute! This is a case of mistaken identity," Illya began.
Her
quavering voice rang out. "You stay where you are."
She jerked
the gun up, her finger trembling on the trigger.
"Hang
cool, miss," Solo advised. "You got a hate on, but we haven't earned
it yet."
"That's
right," Illya said. "If you shoot us for something that happened to
your father, you've got the wrong men."
She stared
at them, her lovely face gray. Her lips were perfectly formed, even without lip
rouge. Her eyes were the color of violets, and her gaze wavered between them
for a moment.
Suddenly
she burst into tears, crying violently. She sobbed, standing shoulders round,
the gun dangling at her side. Tears streaked across her cheeks, but she did not
even lift her hand to her face.
It was as
if she were too tired to raise her fingers.
Solo went
slowly forward and gently removed the rifle from her arms.
She did
not protest. It was as if she were relieved to be rid of it.
Solo
started the fire in the gas cooker outside the girl's car, camped six miles
down the west side of the mountain. The car was parked hidden in a copse of
pine between a narrow trail and a mountain brook.
He put on
the coffee and when it was ready, carried the girl a steaming cup. She took it,
her hands trembling.
Illya and
Solo sat near her, drinking coffee in the gathering dark.
The girl
held the cup in both hands. She seemed depleted, finished.
Solo said
gently, "Why don't you tell us about it? Who are you looking for?"
"That's
it." Her chin tilted. "I don't know. I could have killed both of
you—and been wrong. I know that now. I've been half out of my mind since my
father disappeared."
"That's
a good place to begin," Solo said. "Tell us about your father, how he
disappeared."
"He
disappeared last night," the girl said. "But that wasn't the
beginning of it. I don't know where it began, really. Everything's been so
strange for the past year... My father was an associate professor of biology at
Northwestern—"
"Under
Professor Ivey Nesbitt," Illya finished for her, as if thinking aloud.
She stared
at them, caught between astonishment and suspicion. "How did you know
that?"
Solo said,
"We've been looking for Dr. Nesbitt. For a long time."
She
frowned, staring at the steam rising from her coffee. "Well then, you know
that Dr. Nesbitt simply disappeared from the school. No one heard anything from
him."
"But
your father came out here to Montana looking for Dr. Nesbitt," Solo
prompted.
"Yes.
He took a leave from the school this summer, I came along with him. I'm a
secretary in a publishing office, but I gave up my job. I was worried about my
father, and didn't want him traveling alone."
"Do
you know why he came here to the Big Belt Mountains?"
"You're
sure he never got any word from Dr. Nesbitt?"
"Of
course I'm sure." Her voice rose slightly. "I would have known. He
would have told me. No. It was a hunch he had. He said he and Dr. Nesbitt had
done some biology experiments out in these ranges once years before. He had no
other place to look, and so he came here, perhaps in desperation."
"Perhaps,"
Solo agreed. "Except that we're pretty sure that if Dr. Nesbitt is still
alive he is some where in these mountains."
"Well,
my father didn't know that, not for sure. He would have told me."
"Do
you think he could have met Dr. Nesbitt somewhere and simply have gone away
with him?"
"And
left me? Why should he do that?"
"I
don't know. Sometimes scientists do strange things."
"Not
my father. The strange things were done to him."
"What
strange things?" Illya prompted her.
She held
her breath a moment. She stared upward, past the dark trees toward the
star-silvered sky. They gazed at the perfection of her classic profile. She
said, "The strangest of all was the summons to death that he got—"
"Summons
to death?" Solo asked.
"Oh,
I know it sounds incredible." She looked from Illya to Solo. "We were
in the hotel at Big Belt. It was night. Father had been alone, riding through
these mountains on horseback. He was tired. But he was troubled. Something was
on his mind. Three or four times he looked as if he were going to tell me about
it.
"Then
suddenly a man walked into the lobby of the hotel where we were sitting. He
walked across the room directly to us. He stared straight ahead. It was as if
his eyes did not focus, as if he had no idea where he was, or what he was
saying. It was as if he were in some mind-numbing trance, following orders,
speaking words he'd been programmed to speak.
"He
said to my father, 'Are you Professor Samuel Connors?'"
She
exhaled, watching them narrowly, knowing they would have trouble believing what
she'd say next. "Then he handed my father this summons to death."
Solo
whistled slightly. "You'll have to tell me more about that summons."
"Oh,
I know you'll find it as hard to believe as I did—harder because at least I saw
it, I know it existed."
"What
did it look like?" Illya asked.
"A
perfectly legal looking document. Like any summons to court, a subpoena. Only
it was to no court I ever heard of, and the wording was so strange, accusing my
father of a capital crime. I thought it was a joke. But my father didn't. He
became very upset. He went up to his room, and later I heard him in there
alone, and he was crying."
"Where
was the court to be held? What was its name?"
She
frowned, remembering. "It didn't make sense. It was called the seating of
The Highest Referendary of Unquestioned Supreme Hearings. A jumble of
words."
"Not
quite," Solo said. "A jumble, all right. T-H-R-U-S-H. It makes that
much sense."
"Sure.
THRUSH's own Supreme Court, where they dispense their own brand of
international law."
"They
accused my father of crimes against them, crimes which were to be detailed at
his trial, and before his execution. All this was in the summons."
"One
thing emerges clearly from all this," Solo said. "Your father may not
have found his friend Nesbitt, but he got so close to something or somebody,
that THRUSH couldn't afford to permit him to live."
"But
he didn't even know what they were accusing him of. I tried to talk him out of
it, but he took it with deadly seriousness—and hardly knew I was there. But he
kept saying he didn't know what he had done."
"That
does make sense," Solo said, "even if it sounds wild to you. Perhaps
he came near to some thing, nearer than he realized at that time, or saw
something that was without meaning for him at that moment, but which THRUSH was
afraid might become clear to him once he gave it some thought."
"Who
are you?" the girl said, "that you know so much about this
organization that calls itself THRUSH?"
"Well,
we're no friends of theirs," Illya said. "We can safely tell you that
much." He smiled at her. "Why don't you tell us now who you
are?"
"I
told you. I'm Professor Connor's daughter, his only child. My mother has been
dead for three years. The name that everybody calls me sounds so frivolous
here, when my father is missing, and may be dead. But my father started it
years ago. He said one day that bikinis were made for me, or that I was made
for them." Her face flushed beautifully. "And the nickname, Bikini,
has stuck ever since."
"Bikini?"
Illya said. He smiled. "Believe me, it fits you—like a bikini."
FOUR
SOLO AND
ILLYA sat for a long time outside the car-trailer after the exhausted Bikini
had gone into bed.
She had
handed out sleeping bags.
"I
know you're on some vital mission," she said. "But please stay here
tonight. Whatever it is will wait for morning."
Solo and
Illya talked in whispers.
Illya
said, "A frightened girl."
"On
the brink of hysteria," Solo agreed. "She shouldn't be out here
alone."
"There
remains that lab over there, and the night may be the best time to sneak in
there," Illya said. "She's a lovely doll, and she's got a big
problem, but we came out here looking for THRUSH and Dr. Nesbitt."
Solo
checked his wrist watch.
"Why
don't we hit the sack for three or four hours? By that time she'll be deep
asleep. We'll clear out then."
Illya
nodded, yawning. "I could use the sack time."
"I'm
too tired to ache even in the places that hurt," Solo said.
He fell
asleep almost at once when he pushed down into the sleeping bag. Night winds
riffled the tall pines, and the air was fresh, heavy, making him sleepier than
ever. He dreamed he was wrestling an alligator, knowing he had to keep the
animal on its back, or die. He struggled, but the saurian was too strong, and
he was thrown over and he was being held down, but it was not an alligator
holding him helpless, it was a girl.
She was
shaking him, whispering his name over and over. "Mr. Solo. Please, Mr.
Solo, wake up."
Solo
struggled up from the depths of sleep with anguished reluctance.
He sat up,
seeing Bikini bending over him in the darkness. She wore pajamas and a robe,
and not even this combination could defeat her dream-stirring beauty.
He checked
his wrist watch, and almost moaned. He had been asleep for fifteen minutes. A
few feet away Illya breathed deeply and regularly, completely exhausted and
sound asleep.
"Yes,"
he whispered. "What is it."
"I
couldn't sleep."
He moaned.
"Is that what you woke me up to tell me?"
She stayed
on her knees, close beside him. "I know you are planning to leave during
the night."
Solo
winced. "Important business, Bikini."
"I
know. But that's why I can't sleep. I'm going with you."
"You
can't do that."
"I've
got to. It's my only chance of finding my father. I know you're not looking for
my father, but you may find him, along with whatever else you find. I want to
be there."
"We'll
bring him back to you if we can."
"I
don't want you to leave me. Before I met you I wasn't scared; maybe I was too
numb to be frightened. But now I realize the terrible danger in this
place."
"Get
in your car. Get out of here. If we find Dr. Connors we'll get word to
you."
"I've
no place to go without my father."
"Still,
we can't take you with us."
"If
you don't I'll follow you. I've got to find my father."
"Bikini,
I don't know what kind of danger lies over there—"
"I've
learned tonight that danger is all around here, in every direction. Please.
Take me with you. I won't make any trouble—"
"That's
what Eve must have said." Solo sighed heavily under the witchery of
Bikini's sudden smile. "Get so sleep. You in on the party.
FIVE
ONCE THEY
were in the dry canyon, locating the strange laboratory was no problem. Lights
shielded from view by the high rising narrow ledge a thousand feet from the
gorge sump, the building illumined the twisting dead riverbed for miles in both
directions.
"We
can't talk any more," Solo warned Illya and Bikini before they entered the
mouth of the canyon. "They may be able to pick up my whispering from here.
We know they were monitoring Don Sayres long before he came near them in the
jungle."
"Maybe
I should come in from the other end," Illya said. "That way one of us
would have a surer chance of making it."
"Dark
is running out," Solo said. "It'll be a tough trek to the other end
of the canyon."
"It's
worth a try."
Solo
nodded. "Take Bikini with you."
"Illya
laughs," Illya said. "If you're smart, you'll send her back. If she's
smart, she'll go."
Solo
shrugged. "We'll try to get in from here. Good luck."
Illya
nodded and bounded up the steep ledge like a mountain goat. Solo watched him a
moment; then he nodded at Bikini. "Stay close behind me."
She caught
his belt in her fingers and he moved into the mouth of the canyon. Inside these
rocks they were attacked by an incessant buzzing sound. Smile, Solo thought,
you're on candid radar.
There was
no sense turning back. He kept as close to the rocky wall as possible,
slithering forward in the darkness. The buzzing sound grew louder. Far ahead he
saw the brighter illumination of the lab around the sharp twists in the dry
river bed.
The new
sound was like a fist striking against a hand, swiftly, repeatedly.
Solo
paused, listening. Bikini pressed close against his back.
He
recognized the sound; it was that of men running in some sort of padded shoes.
Two armed
guards came running around a sharp bend. They wore green fatigues, green caps
with small, brilliant lights attached above the visors. The lights played
across the ground ahead of them, illuminating the narrow canyon floor and the
mountain wails.
Solo
pressed hard against the rocks, pressing Bikini behind him.
The first
guard ran past, his light touching at their feet until he was almost past. Then
the glow illumined their faces.
The first
guard didn't see them, but the second did. The first continued running.
As the
second guard stopped, bringing up his gun, Solo chopped with the side of his
hand across the man's throat. The guard slumped with a faint outcry.
It was
enough to stop the man ahead. He turned around, his light raking across
Bikini's stricken face.
Solo
caught up the fallen guard's gun in one hand and threw it at the man running
toward him.
The gun
caught the guard across the chest, slowing him. Solo sprang toward him,
tackling him and carrying him down to the ground under him.
The guard
lost his hat. It fell to the ground and as the man rose, Solo saw his eyes were
flat, did not focus, the face expressionless.
He
remembered Bikini's saying that the man who had delivered the "summons to
death" to her father had looked like a mindless robot.
Mindless
or not, the man bad been programmed to fight furiously and to kill.
He brought
his knee up, sending Solo sprawling beyond him.
Then he
stalked Napoleon, gun hefted like a club.
Solo
retreated, going into a side turn off the main artery of the canyon. This
seemed to be what the guard wanted. He lunged at Solo, swung the rifle, and
Napoleon Solo leaped back into the darkness to safety.
He swung
again and Solo backed away again. Suddenly though, instinct and the abrupt
chill cry of wind warned Solo that he was being driven toward a brink.
Solo flung
himself against a boulder, stayed there, timing himself. The guard swung the
rifle. At the last instant Solo ducked and the rifle smashed.
Solo
sprang upward, catching the guard around the knees, taking him down. They
fought on the floor of the narrow gorge, rolling almost to the edge.
Solo
caught his breath. The pit yawned, bottomless, narrow, a fault in the rocks. A
man's body would stay there forever.
The
guard's cold hands closed on Solo's throat. Solo's head hung out over the
chasm.
Solo set
himself, trying to lever the guard over his head. It was impossible, the silent
man was possessed of superhuman strength.
Solo
forgot trying to throw the man and concentrated upon staying alive.
Those
hands tightened. Solo felt the canyon and the sky changing places. Red stars
wheeled and skidded before him.
He swung
his legs up as high as he could, caught his shoe. The fingers closed on his
throat. He felt consciousness slipping away, felt his body being pressed closer
to the precipice edge.
He slipped
the shoe off, gripping it with all his strength. He struck the guard across the
nose with it. He did it again and again.
Nothing
changed. In horror he began to be afraid that the man was incapable of feeling
pain. The fingers closed and he felt the last oxygen burning in his lungs.
In
desperation because there was nothing else to do, Solo kept striking the guard
across the nose, knowing each time he struck the blows were weaker.
Suddenly
the guard whimpered, as if the battering had broken whatever mind-binding spell
he was under. The hands loosened. Solo didn't delay hoping for more. Gasping in
a deep, sobbing breath, he fought upward, rolling over with the guard, pulling
himself back to safety.
The guard
went on fighting, striking, choking, pounding. But there was a difference and
Solo felt it. Now he was fighting an ordinary man of ordinary strength, no
longer driven by some outside will.
Solo's
fist caught the guard on the jaw. The guard slumped, then grabbed Solo's body,
rolling with him toward the side of the bottomless chasm.
Solo
fought wildly, realizing that the guard had been programed to kill, even if he
died, too. This much remained to drive him.
Solo
caught at the jutting rocks, fighting free of the guard's grasp. He thrust the
heel of his hand against the man's jaw and thrust with all his strength.
The guard
loosened his grip on Solo, gasping. Then Solo thrust out one more time and the
guard fell away, slipping in terrible slow motion over the side of the cliff.
His fingers grasped at jutting rocks, held.
Solo sank
for a moment against the mountain wall, panting. He took up his shoe, stared at
the man's hands gripping those rocks. Then he slipped the shoe on his foot and
stood up. He exhaled heavily, speaking over the side of the cliff, "You
will hang on, won't you?"
He ran
around the curve in the canyon.
SIX
BIKINI WAS
crouched in the shadows where he'd left her. In the light from the guard's cap
he read the terror in her face. He wondered if she began to see just some of
the peril into which she'd walked.
Her lips
parted and she almost cried out her shock and relief at the sight of him.
He shook
his head, warning her against speaking. She nodded and reached out her hand to
him. Her fingers were icy.
He nodded,
motioning her to follow him again. One thing he was sure of, even the lab radar
would show only two of them. It was unlikely that it could reveal their
identity. Two guards had come running out. Two people were returning. Perhaps
they had bought a few moments of safety.
He decided
to use it to the best advantage. Holding Bikini's hand tightly, he ran along
the narrow gorge between the high dark canyon walls.
Suddenly
the illumination was like the sun at noon. Solo paused at the turn in the
rocks. Leaving Bikini pressed into the darkness, he inched forward, peered
around the corner.
He caught
his breath. He had seen this lab on the long-range scanner, but he'd had no
idea of its immensity or complexity.
The floor
of the canyon widened abruptly to a width of a hundred yards around this turn.
Hundreds of feet above, the crest of the mountains closed to a few inches.
In this
gorge the laboratory had been set up, and everything depended on its own
artificial lighting and heating. A green haze seemed to envelope the glass
walled building, but only because everywhere strange tropical plants grew lush
and deeply green under this strange light. A kind of buffalo grass had sprouted
wild on the bare canyon flooring under this light, growing almost to the
narrowing turn.
Eyes
distended, Solo remained an instant too long staring across the open space
toward that glass-walled lab.
A sudden
hissing alerted him. The sound ripped through the incessant buzzing which had
almost become a part of the charged atmosphere.
Solo fell
back behind the rock. A sharp beam of light whipped across the mouth of the
open space.
Shocked,
Napoleon Solo saw the buffalo grass burned gray where the beam touched it.
He stayed
there for some moments, while his heart slowed to a regular beating again.
Three more times the light beam reached for him, and barely missed.
He inched
his way back to Bikini. She stared up at him questioningly.
Solo gazed
down at Bikini for a moment, almost regretfully. She whispered. "What's
the matter?"
He didn't
answer. He reached out his left hand, tilting her chin slightly. Then he struck
her sharply with his right, on the side of her jaw.
She
slumped forward and he caught her gently.
Carrying
her in his arms, he found a small break in the wall. He laid her down in the
darkness, whispering, "You'll be safe here, Beautiful. Safer anyhow. Sweet
dreams."
He ran
back to the mouth of the canyon sump. The light beam still hissed, tilted now,
no longer touching the grass as it swung out, reaching for him.
From his
pack be took the small canister and sprayed it from his legs upward, covering
his body with a fine mist. As he worked, the haze hardened into a flexible
plastic.
After a
few moments the plastic was like suiting which encased his entire body.
He waited
a few seconds longer, watching that beam whip across the open. When the light
passed, he stepped boldly out and ran across the opening toward the lab. The
plastic was unwieldy but was flexible enough to permit movement.
Solo was
within fifty feet of the lab doors when the beam raked across him.
The
plastic melted and ran like teardrops. But he was only barely aware of it.
Solo
staggered.
His mind
fogged over. The green lights dimmed, seeming to recede into a darker canyon.
He felt as
if an invisible fist struck him in the chest, barring his way, but not really
hurting because it was as though he were numb.
He tried
to stride forward, but his legs no longer obeyed commands from his mind.
He slumped
to the ground, hearing the buzzing and the hissing louder than ever.
Gradually
the green lights brightened and Napoleon Solo opened his eyes.
He was
slumped upon his knees, half supported by two men, neither of whom even looked
at him.
Things
took shape before him. He saw that he was in a brilliantly illumined
office-lab. Rows of equipment led away toward the greenhouses, where the lush
tropical plants appeared to be growing visibly, as they might when seen in
time-lapse photography.
Solo shook
his head, trying to clear it.
"Ah,
our guest is waking up."
Solo
tilted his head, gazing at the man who had spoken.
He was a
tall man with a wide frame upon which the flesh hung loosely. He was turned
away from Solo at first and Solo was struck by the resemblance between this man
and the statues of Julius Caesar— the strong chin, the fine Roman nose, the
intelligent forehead, the balding head.
Then the
man in the white smock turned full face and Solo caught his breath, wincing.
The scientist's face was badly disfigured, the left eye sitting in the corner
of its misshapen socket, the skin mottled, rutted.
"Dr.
Nesbitt," he whispered. Nesbitt fixed his glowering gaze upon Solo so
intently that the young agent turned away, and then caught his breath, shocked
a second time.
A few feet
from him Illya Kuryakin was slumped in a chair, battered, scarcely more than
half alive.
Illya gave
him a faint salute. Solo whispered it. "How did you get here?"
"It
was a lot easier than I thought."
"What
happened to you?"
Illya
shrugged. Blood showed at the corner of his mouth. "You don't tell me your
woes, I won't tell you mine."
Dr.
Nesbitt came around the cluttered desk where he had been working. Turning his
scarred face at an angle away from Napoleon Solo, he smiled.
"So
now you and your friend have found me, Mr. Solo. Are you pleased?"
Solo spoke
ruefully. "This isn't exactly the way we planned it."
"I
suppose not. Still, you must have known, you and your interfering spy
organization—"
"We
were only trying to help, sir—"
"Help?
Did it occur to any of you that I might not want help? You must have learned
from what happened to your agents in Central America when they came prying that
we could have easily have killed you and Mr. Kuryakin."
"We
couldn't let that stop us, Doctor. We still believed you might want to
communicate through us with your friends in the outside world."
Nesbitt's
voice slashed at him. "I have no friends in the outside world. I have only
my work."
"But
that's it, sir. That's what puzzled us. You turned your back on a most
rewarding and selfless career—disappeared. The world was puzzled. We couldn't
turn our backs on you."
"I
assure you there is no puzzlement. I'm here doing what I want to do. I have my
experiments. I am successful beyond my most fantastic expectations."
"Jungle
plants growing in Montana," Illya said.
Nesbitt
heeled around, the scarred half of his face livid. "That is only the
smallest part of it. Mr. Kuryakin. Plants that are like living things, plants
growing to huge trees overnight. Incredible, wonderful plants."
Solo kept
his voice low. "Your friends are deeply concerned, Doctor."
"I
said it once, Solo. I have no friends. None. Except here. My plants. My living,
breathing plants."
Solo
continued trying to appeal to Nesbitt's reason. "You do have friends.
Evidently more than you know, or care to admit. You have one friend who may
have given his life searching for you."
Nesbitt
straightened slightly. "Oh?"
"Sam
Connors," Solo persisted. "Does the name mean anything to you?"
Nesbitt
hesitated the space of a breath. He shrugged. "Connors? Once an
under-professor of mine."
"At
Northwestern. He thought he was a close friend."
"Well,
he was wrong."
"He's
disappeared. He may be dead. He was looking for you, deeply worried."
Nesbitt
shrugged again. "Sorry to hear that."
"But
you're not really concerned about his fate?"
Nesbitt
straightened his wide, thin shoulders. "No. Not particularly. I am in no
wise responsible for a misguided man like Professor Connors—"
"But
he was looking for you!"
"I am
very busy here. The people who are financing my experiments expect quick
results. Nothing else concerns me."
"Not
even the life or death of Sam Connors?"
"Nothing!
I have no knowledge of Sam's death. I have no wish to kill—not even two
meddlers like you—but I wish to be let alone. And I will be let alone—at
whatever cost!"
Solo
brought the "summons to death" which had been delivered to Sam
Connors, from his pocket. The two guards were alert.
Solo
handed the paper to the doctor. Nesbitt took it, scanned it calmly.
"Does
it mean anything to you?" Solo persisted.
"Nothing.
It looks like some one's tasteless idea of a joke."
"Whoever
sent it had a deadly sense of humor."
At this
instant whistles wailed throughout the laboratory. The guards leaped to
attention.
A
white-smocked man ran into the office from the corridor. "Dr. Nesbitt,
there's a woman in the walled yard."
Swearing,
Nesbitt ran from the room, following the white-smocked assistant.
A moment
later an intercom blared, "All guards to the yard. At once."
The guards
standing beside Solo and Kuryakin snapped to attention and ran like robots from
the room.
"Mindless,"
Illya whispered. "They're mindless slaves."
Napoleon
Solo jerked his head toward the doors opening off the office. "We've got
less than two minutes. We've got to find out anything we can."
Illya
nodded, agreeing. They ran toward the long hothouse beyond Nesbitt's rows of
equipment.
Illya
jerked open the door and they entered the room. They hesitated, staggered by
the unnatural heat and humidity. It was almost impossible to breathe.
Quick
scanning showed them the plants were all of one species, but there was every
size from one inch to huge tubular plants with six foot leaves and twisting,
snake-like branches.
The room
was loud with a rustling, stirring of leaves and limbs.
"This
is far enough," Solo said, gasping for breath and already sweating
profusely. "Let's get out of here."
Illya
nodded and heeled around. There was no handle on the inside of these doors.
Illya thrust against them. They were securely locked and would not open from
this side.
Solo wiped
the sweat from his eyes. "Never mind. There's got to be more than one way
out of here."
They saw
another door far through narrowing aisles to their right. They ran toward it.
As they
ran the large leaves brushed them, dripping water as hot as tears on them. The
smell was sickeningly sweet, the smell of death. When they brushed one of the
tentacle-like limbs, it adhered to their clothing and they had to break free.
The
rustling was louder and the limbs stirred faster all through the hot-house,
although there was not the slightest breeze.
"Out
that door," Solo said, the horror mounting in him.
He pushed
through overhanging leaves and limbs that seemed to fight back at him, almost
like human arms.
He broke
clear and lunged to ward the door. His feet brushed something and he stumbled
to his knees.
"Solo!"
Illya's
voice cried out behind him, but for the moment Solo stared at the dead man on
the floor.
"Connors,"
he whispered, shaking his head. He'd seen the photograph Bikini carried of her
father, but Sam had resembled his daughter in life, and he recognized him
instantly.
Connors
lay twisted on the floor, limp as a sawdust doll. He looked as if he had been
crushed by a boa constrictor. All the bones in his body had been smashed.
"Solo!"
Illya Kuryakin yelled again.
Solo
jumped up, bringing his gaze from the shattered body on the floor.
Illya had
tried to follow him through the growth of jungle plants, but had not made it. A
green tentacle, larger than a fire hose had constricted about his throat and
head.
Illya
fought at it helplessly.
Solo
looked around, feeling panic, sweated and almost drowned in the now wailing
rustle of the plants all around them.
He caught
up a pruning shears near the door and leaped toward the plant where Illya was
trapped.
He drove
the shears into the soft green texture of the constricting limb. Sap spurted
out, sap that was pouring pinkly, almost like very anemic human blood.
ACT III—INCIDENT OF THE KILLER PLANTS
DR. IVEY
NESBITT strode along the corridor and entered his office. Neither side of his
face betrayed any emotion at seeing that Illya Kuryakin and Napoleon Solo were
gone.
He was
immediately followed by his white-smocked assistant, a sullen, unsmiling man
clearly of Indian ancestry.
At a short
distance behind the assistant, two staring-eyed guards came, half-dragging
Bikini Connors.
They led
her into the office, deposited her in the chair in which Illya had sat. They
stood at attention on each side of her then, gazing emptily ahead.
"Please,
Dr. Nesbitt," Bikini begged. "Where is my father?"
At his
desk, the tall scientist ignored her. He didn't look her way or appear to have
heard her voice.
He glanced
at the guards testily, as he might have gazed once at recalcitrant students in
his class rooms. "What is the meaning of deserting your posts, letting our
two prisoners run free?"
"Professor,"
the assistant said gently, "they don't hear you. Even if they do, they are
unmoved by criticism or praise."
The doctor
waved his arm. "Of course. One forgets one is dealing here with mindless
animals, eh, Joe?"
"It's
safest that way, Doctor," was all the Indian assistant said.
Nesbitt
nodded, dismissing the subject.
Bikini
spoke to him again, but it was as if he could not be reached by anyone from the
outside world, from his past.
He turned
his back, went to a bank of closed-circuit television screens. All glittered
blackly, powered, waiting to be activated.
Nesbitt
pressed buttons, opening the channel for each screen in turn, the walled yard,
smaller labs, shipping areas, the hothouses, the corridors.
A hothouse
camera swung across the long arena of tropical growth. Catching his breath,
Nesbitt pressed a button, holding the camera in its position.
It was
fixed on Solo, Kuryakin and a crushed body crumpled on the hothouse floor. The
body the doctor ignored as if it did not exist for him, had never existed.
For a few
moments, almost as if entranced by what he saw, Nesbitt watched Solo slashing
at the huge arm of the writhing plant.
But as
Napoleon Solo hacked the limb loose, the bloody sap spurting and oozing
everywhere, Nesbitt's face darkened.
He pressed
a button, spoke into a microphone at his side. Intercoms throughout the
laboratory carried his voice. "There are two intruders in Hothouse One.
Bring them to me."
Nesbitt's
voice rattled through the humid greenhouse as Solo pulled Illya Kuryakin from
the grasping tentacles of the plant.
For one
moment Illya stared down in horror at Sam Connor's crushed body, and thought,
"But for the grace of God and Solo using pruning shears, that could be
me—"
All doors
of the hothouse were thrust open and armed guards appeared in each of them.
Illya and
Solo stepped in close to the doors as they were thrust open near them. With all
their strength they slammed the doors shut behind the guards.
As the
robot-men turned, both Illya and Solo lunged at them, thrusting them stumbling
over Connor's body.
The men
threw their arms up as they went sprawling into the tangled green plants.
Obviously
following all this on his closed-circuit TV, Nesbitt shouted, his voice
crackling over the intercom: "Door Six, Hot house One. Stop those
men."
But Illya
and Solo were already going out of the door. Solo glanced back, watching the
two guards trying to fight free of the grasping limbs, the rustling growing to
a keening pitch.
For that
instant the incredibly long corridor was empty. It was brightly lighted with
what seemed half a hundred doors along it.
Solo waved
his arm in the direction of the distant white-doored exit.
They ran
together.
Nesbitt's
laughter sounded chilled and sardonic from the intercom speakers around them.
It was nightmarish, as if laughter battered them from everywhere.
"He's
watching us on TV," Illya gasped.
"Run,"
Solo said. He stayed close to the wall, sprinting toward that white-doored exit
which seemed to recede the way it might in a bad dream.
"Run
faster, gentlemen." Nesbitt's voice mocked them. "A little exercise,
and then I shall stop you as I wish."
"Stay
close to the wall," Solo warned Illya.
Illya
nodded and sidestepped, but he was already too late.
They both
heard the rising hiss. It was as if Illya had run into an invisible wall. The
beam struck him and he stopped running, slowing, taking long steps and then
halting as if paralyzed.
Solo
leaped into the inset door nearest him as the hiss rose, approaching like an
angry wasp.
The beam
lashed at him and Solo put all his weight against the door, thrusting his way
into it.
He toppled
into a brightly lighted room and the door swung shut behind him.
He landed
hard on his knees, and lifted his head slowly at the old chattering sound that
over whelmed him.
His eyes
widened at the sight of the set faces, the empty eyes, the meaningless chatter.
The people sat at long tables suspended from the ceiling. They didn't look at
each other, or at anything. They chattered, but it was less meaningful than
squealing monkey noises in a tree.
Solo got
to his feet, repelled and shaken by the sight of these mindless creatures.
He shook
his head, retreated toward the door.
Faces
turned his way, but not one pair of eyes actually focused on him. The eyes were
like milky marbles and light reflected from them.
Solo
wheeled around and grabbed at the door. Again there was no inside handle, and
the door was locked securely.
Solo
stared around helplessly. There was no other exit from this dormitory of the
mindless. The only windows were set high in the walls.
Solo
sagged against the door. The chattering went on, but he no longer listened.
From the
intercom, Dr. Nesbitt's voice mocked him. "I expected you and Mr. Kuryakin
to join our mindless ones eventually, Mr. Solo, but not so quickly. What's
wrong, my dear fellow? You don't look overjoyed."
Exhaling
heavily, Solo sagged against the barred door.
The voices
rose chattering, excited, wildly agitated by the sound of the doctor's voice on
the intercom.
Napoleon
Solo did not look at them.
TWO
SOLO FELT
the door shiver. He recognized the sound: an electric impulse had activated the
lock. He stepped away and the padded door was shoved open.
Two
expressionless guards stepped into the room. They were armed with a gun that
had a base like a small cannon, but which was obviously aluminum light. The
barrel of the gun tapered to the mouth, which suddenly lighted up.
Solo
toppled back, thinking they had subdued him with a portable light gun.
The
chattering raged, but none of the people at the tables moved. The guards lifted
Napoleon Solo, half-carrying him through the corridor toward Nesbitt's office.
There was
no sign of Illya Kuryakin in the corridor. Solo felt ill, searching for him.
Strength
had returned to his legs and arms by the time the guards led him inside
Nesbitt's white-walled office.
Bikini
jumped up and ran to him.
She
pressed herself against him. Solo gritted his teeth to keep from falling under
the pressure of her weight.
"Oh,
Solo. He won't look at me," Bikini said. "He won't listen to me. He
acts as if I don't exist."
"I
don't think any of us exist for him very much, Bikini," Solo said.
"But
he's known me since I was a baby. He's my godfather. He was at my house all the
time."
"I
don't think he cares to re member that." Solo looked up at Nesbitt behind
his desk. He spoke over the top of Bikini's dark hair, "Where is Illya,
Doctor?"
Nesbitt
smiled blandly. "You'll join him soon enough, Mr. Solo. Need I say any
more than that?"
Bikini
turned, but remained in side the circle of Solo's arms. She stared up at
Nesbitt. "Please, where is my father?"
Solo
stared up at Nesbitt, waiting for him to answer. But Nesbitt merely shrugged.
Solo knew
he owed Bikini the truth about her father. But the truth was too brutal for her
at this moment.
Just now
he could not bring himself to say the words, your father is dead, Bikini.
He stood,
watching Nesbitt.
The
doctor's good eye gazed at him unblinkingly, the smile set. "I'm afraid my
plans for you have been altered—by your own actions. I'd hoped to be able to
allow the three of you to leave this place after undergoing a series of minor
treatments for the removal of recent memory."
He shook
his head. "I can't do that now. I'm sorry. The risk is too great."
Solo spoke
coldly to Bikini. "What Dr. Nesbitt means is that Illya and I know your
father is dead, and how he was killed—and that 'memory' removal is too risky
because it doesn't work, but death does."
"My
father," Bikini whispered. She pressed her face hard upon Napoleon's
shoulder.
He touched
her hair, gently, holding her. He felt her heated tears against his shoulder.
Somehow it gave the world a sense of sanity that a girl could still cry for her
father in this place.
It seemed
less a nightmare.
Nesbitt's
voice cut across Solo's thoughts. "Death. Yes, death works. Death is
useful here, too, Solo. Professor Connor's death was useful—"
"You
told us you didn't know about his death," Solo raged.
Dr.
Nesbitt shrugged as if reminding him that nothing could matter less than what
he said to them, or to anyone from the world of his past.
"He
was sentenced to death by our highest court," Nesbitt said. "There
was nothing I could do except see that he was executed in the way that would be
most useful to us. Yes, even death must be useful."
Solo shook
his head, hearing the doctor's words, but unable to believe a man could have so
far receded from any human feelings of remorse, guilt, love or regret.
Dr.
Nesbitt regretted nothing except time lost from his experiments.
"I'm
sure our deaths will serve you in some useful purpose," Solo said
bitterly.
"When
the time comes. Meantime, you and Mr. Kuryakin will work for us as mindless
slaves—made mindless by light, Mr. Solo. And as for Miss Connors, I can
use her body in my experiments with my plants—"
"Dr.
Nesbitt. Ivey!" Bikini cried out, tormented. "What's happened to you?
Once you loved my father and me."
"It's
no good, Bikini," Scio said. "He's gone crackers—"
"You
think I'm insane, Solo?" Dr. Nesbitt raged.
Solo
shrugged. "I suspected it all along. I'm convinced, now that you've
decided to use a body like hers as plant food—"
"Mr.
Solo, I assure you that only the plants are important here. They are mutations,
grown from the most ordinary jungle carnivorous species, from those pitcher
plants devouring flies and insects to what you saw in that hothouse—"
"Oh,
Ivey," Bikini wailed. "Once you were the most beloved man in—"
"A
fool girl like that, what does she know?" Dr. Nesbitt said to Solo, still
refusing to speak directly to the daughter of his old associate. "Does she
know of the horror of being stared at like a freak because of my disfigured
face?"
"That's
not true!" Bikini cried. "Nobody ever—"
"What
does she know of the way I lived, dreading the way people cringed at the sight
of my face? They wouldn't even let me work in peace until I came here.
"My
plants don't cringe from me. My mindless slaves neither see nor react to my
face. I don't have to watch people turn away."
"You're
buried here," Solo said. "Worse than buried."
"That's
where you're so wrong. Solo. Perhaps I shall yet control the world."
Nesbitt looked around him now as though he wished to talk more fully about
himself and his work.
"I
shall set the world free by the use of light, Mr. Solo. I'm sure you've heard
the theory that all light rays enter the eyes of animals and people, directly
influencing the pituitary gland.
"In
the same general way light radically affects the growth of plants. Scientists
have exposed young rats to the rays of television rays and they die of severe
brain damage within twelve days. By my own application of this theory I have
made my slaves mindless.
"And
I use the same X-ray light that comes from TV tubes, many times intensified. My
jungle plants exposed to this X-ray light grow at phenomenal speed and to
unheard of sizes.
"Light,
Mr. Solo. Light to control. Light to kill. Light to grow. Everything subject to
the intensity of my X-ray light. From a glow soft enough to be harmless to
strength to register wildly on a Geiger counter. With light I shall control the
world."
"Sure.
And THRUSH lets you believe that you will. In exchange for what? For those
plants which will grow and multiply and kill?"
Nesbitt
smiled. "That is part of my experiment."
He shook
his head and lowered his voice to that reasonable tone so characteristic of the
deranged, "So you can see why I cannot permit you people to leave here—to
spread the word of my work?"
THREE
ILLYA FELT
himself being lifted up from the corridor floor where he'd crumpled like a bug
when stunned by the light beam.
The men
lifting him carried him loosely between them. They did not speak to each other,
moving like robots.
Double
doors swung open in the corridor walls ahead of them and Illya saw he was being
carried into a room of dark chocolate walls with hundreds of small lights set
under the ceiling, across it, and along the sills.
The guards
placed him in an ordinary appearing chair which lighted up under his weight.
When he
attempted to stand, Illya found he was helpless to move. The action of the
light was like a terrible magnet holding him pinned to the chair.
There was
no pain of any kind. It was simply impossible to break the pull of the
light-magnets which secured him in the strange chair.
After a
moment Kuryakin stopped fighting. He felt the strength return to his arms and
legs. He still had a sense of being dizzy, but even this lessened after a few
moments. He examined the chair as the guards backed out of the room.
The doors
closed and locked, Illya supposed. He looked around, finding the room extremely
dark and himself seated in the lighted chair like an illumined island.
He shifted
his weight, attempted to raise his arms from the chair.
He could
not move. The darkness seemed to press in upon him, and he had the eerie sense
that unseen eyes probed at him from the walls.
Illya felt
a desperate urge to cry out, but he did not. He wouldn't give hidden onlookers
the satisfaction.
Suddenly
he heard the crackling noise such as a TV tube made warming up, and a forty
inch screen suddenly lightened the dark wall directly before him.
Dr.
Nesbitt's scarred face appeared upon the screen. His mouth pulled into a
mocking smile. He said, "Are you comfortable, Mr. Kuryakin?"
Illya did
not answer.
"Quite
secure, Mr. Kuryakin? By now, I'm sure you're convinced you cannot get out of
that chair until I want you out of it. Eh?"
Illya
waited. He hated this weird darkness. The television screen flickered, the gray
shadows leaping across him, Dr. Nesbitt's strange eyes fixed upon him.
"The
tests I'm about to subject you to, Mr. Kuryakin," Dr. Nesbitt said from
the screen in his best lecture tone, "will be most fascinating to you, I'm
sure, as long as you retain your senses."
The screen
remained lighted, but Dr. Ivey Nesbitt's broken face disappeared.
"You
look better like that," Illya said to the blank screen.
Illya
heard the dim hum as some small motor was activated. The strip of flooring upon
which his lighted chair was secured moved suddenly, sliding backward about ten
feet.
The screen
gradually darkened and the multicolored lights flashed on, along the ceiling
and the floor. Somehow the room remained dark despite the many lights, and then
Illya supposed this was caused by the action of one set of colored lights upon
another.
His eyes
burned slightly so that he wanted to rub them, but he could not lift his hand
to his face.
The small
motor hummed again and the strips before and behind the chair slowly folded
over him and locked, making a wide circle.
After a
moment the motor engaged again and two sections of the flooring on each side of
him locked into place, securing him and the lighted chair inside a dark drum.
The lights
on the chair flared and died, leaving him in darkness. The magnetic power was
cut off, but now there was nowhere to go. There was not even room enough to
stand up inside the drum.
Nesbitt's
voice pursued him, even here. "Pain from light, Mr. Kuryakin. Are you
acquainted with the phenomenon? I assure you, you will be well versed in the
subject soon. The simplest application I can give to prepare you for what's
going to happen to you is that of the young children, sitting for hours two to
three feet from a television set. They suffer all manner of illnesses,
including emotional disturbances, all induced by the X-ray light from that
tube. The larger the picture tube, the greater the voltage.
"In
other words, the greater intensification of that X-ray light, the more pain
induced. We use this principle, Mr. Kuryakin, but of course, for our purposes,
we have greatly refined it, and find that colored lights offer a great deal
more intensity, just as does a colored tv picture tube."
The voice
snapped off and for a moment the silence and darkness persisted until Illya
thought Nesbitt had gone away and forgotten him.
Somewhere
a switch clicked, small motors hummed, and the first banks of lights flooded
the drum. For a long time they remained constant, and then they alternated,
colors flashing around and around the drum, faster and faster.
Illya
Kuryakin sweated. For a long time he was conscious of no other reaction to the
lights.
They grew
brighter, the colors alternating in some crazy scheme. The effect was of a
clockwise flashing of lights, until suddenly Illya felt himself and the chair
following, the drum turning with the lights, but at first slowly. Illya felt
slightly nauseated.
He closed
his eyes tightly. He could still see the lights, still felt the drum spinning
him over backwards. He pressed his hands over his eyes, and realized the chair
was stationary, the drum was not moving, only the whirling lights caused the
sickening sensation of spinning.
He pressed
his arm over his eyes. Sweat burned into them. He cried out involuntarily.
Although
he pressed his arm tightly across his eyes, he suddenly could see the flashing
lights through them!
The
strength of those lights had been intensified. He could not escape them. After
a moment the chair seemed to tilt backwards, to tip, fall and then turn,
following those flashing lights.
Illya
Kuryakin gagged, sick at his stomach.
The lights
whirled faster and faster. He screamed as he wheeled and skidded, spinning
around and around in the immobile chair, the unmoving drum…
The lights
flashed off. At least Illya Kuryakin thought they did. The sides of the drum
lowered; the top pieces unlocked and folded down.
Though he
was sick at his stomach, Illya's mind was clear enough to warn him to get out
of that chair.
He lunged
upward.
He was not
quick enough. The lights flashed on, the magnetic power of the chair held him
securely. The chair slid forward.
For a long
time he could feel the lights still spinning inside his head. Buckets of hot
water were thrown on him, followed by buckets of cold water.
A voice
from somewhere told him to rest. He did not recognize the voice. There was an
almost kindly timbre in it, and he thought wildly that the speaker might have
human emotions, if only he could appeal to him.
But then
the voice died away and he was left locked in the chair, a bright white island
in the chocolate darkness.
Illya
Kuryakin didn't know how long it was before he was returned to the light
drum—perhaps hours, or days, or only minutes. His head ached and time had
already lost meaning.
He closed
his eyes against the whirling lights, but this did not help. The bright colors
penetrated first his eyelids, then seemed to enter at his temples, throbbing
behind his eyeballs, twanging at the taut nerves. He pressed his fists hard
against his temples and then the steady beams of colored lights battered at his
forehead, at the base of his skull, the crown of his head.
Illya's
head ached excruciatingly now. Even when he came out of the drum, was doused
with water, fed something which would not stay on his stomach, and told to
rest, the headache persisted.
The human
body might become accustomed to anything, even the throb of a headache if it
remained constant. But the pressures, the intensity of the light was increased,
lessened, speeded up.
And he
spun in the drum, screaming against it, until he could not even hear his own
screaming.
He could
feel his nerves going.
He wanted
to break down into tears, to cry over nothing.
The lights
never stopped whirling for him now, even when he knew they were off and he was
outside the drum. They whirled, jabbing like lances through his brain.
The kindly
voice asked him what day it was, and Illya could not answer. And after a long
time the gentle questioner inquired Illya's name, and Illya could not answer.
He no
longer knew.
For a few
brief moments when he was doused with the buckets of ice water, Illya had lucid
thoughts. He knew his name. He knew why he had come to this place. He
remembered the lights. He remembered the kindly voice, the way he strained,
listening for it, how lost he was when it went away and left him in the
darkness.
Then the
hot water would strike him and the lights would whirl.
In his
lucid moments he warned himself his mind was going, his nerves already frayed,
his emotions damaged. He had to cling to some thought that had nothing to do
with this place. As the cold water struck him, he remembered New York, the
restaurants, the Village, the subways, the sun on the United Nations complex
early in the morning.
He gritted
his teeth, swearing to hold these thoughts, to shut out what was happening to
him.
The hot
water washed it away.
He'd long
since lost count of how many times he had been placed inside the drum. He never
escaped the lights except for the briefest moments. The ice water no longer
felt cold. Now there was no difference between hot and cold.
He'd trap
a thought of some distant place, but the first whirling of the lights
fragmented the thoughts; he was unable to hold on to them.
The light
intensified, and so did the pain.
As the
drum parted and the chair slid forward his wrist watch scratched his cheek.
Frantically,
he grabbed the watch band, jerked the watch from his wrist.
The motor
hummed, the short slide was almost over, the immobilizing lights would flash
on. Or maybe they no longer bothered to magnetize him to the chair. Illya
didn't know.
His mind
could contain only the thought of the watch. He smashed it in his palm on the
arm of the chair.
Trembling,
he shook the broken shards of glass into his mouth, and dropped the watch.
At this
instant the water struck him. He chewed sharp pieces of glass, feeling it cut
his gums, his tongue, the roof of his mouth. He chewed again. Blood oozed from
his lips.
Kuryakin
could feel the temperature of the water. It was cold.
FOUR
SOLO
PROWLED the small room which adjoined one of the thickly grown hothouses.
Bikini
slumped against one of the three solid walls. She cried for a long time, her
dark head pressed into her arms.
Solo stood
at the fourth wall. It was thick green glass and afforded a view of the lushly
growing cannibal plants out there.
He shook
his head. He had no way to break this glass, yet it was almost as if Nesbitt
wished he would. It was as though they dared him and Bikini to attempt to
escape across that tangled growth.
He drew
his arm across his forehead, wiping away perspiration. The cell was as hot as
the hothouse beyond the glass, and more breathless.
The door
was thrust open and Solo looked in that direction.
A guard
stood at the opened door with a light-gun in his arms. Another entered the
small hot room. He walked slowly, like a spring-wound toy that has run down.
His face
was set, his eyes vacant. He faltered slightly.
Solo
caught his breath. The man's face was battered, his hands cut. This was the man
who had fought him at the canyon ledge, the one he'd left dangling over the
precipice. He had hit him in the face with his shoe until the pain somehow got
through to his consciousness.
The guard
looked at Napoleon Solo, shook his head in an almost imperceptible movement,
then he turned and walked, still faltering, toward Bikini.
Solo set
himself to jump the guard if he harmed Bikini. He closed the armed sentry at
the door from his mind. It might be the last thing he ever did for Bikini.
But the
guard merely drew a folded sheet of paper from his tunic.
He held it
out toward Bikini in a quivering hand.
Solo
caught his breath. He recognized the form, it was a 'a summons to death' like
the one delivered to Bikini's father at the hotel in Big Belt.
Bikini
took it. She didn't even glance at it. She recognized it, too.
The guard
turned and stalked toward the door.
Bikini
jumped up. She ran to Solo and pressed herself against him, tears in her eyes.
Solo closed his arms about her, comforting the miserable, frightened girl.
The guard
was barely at the door when Joe, Nesbitt's Indian assistant, brushed past the
door sentry.
He caught
the guard by the shirt front and pushed him against the wall, as if forgetting
Solo and Bikini in a sudden savage fury.
Joe
switched on a wall light, marched the guard to it, forced him to stare into its
brilliance. The man gazed at the bulb, unblinking. His dry eyes did not even
water.
Joe spoke
urgently but quietly to the man with the light fixed in his eyes. The Indian's
voice was low, controlled, almost kindly. "The summons was for Napoleon
Solo. The summons was for Napoleon Solo."
Solo
watched Joe, fascinated. He forgot the misdelivered summons. This didn't seem
very important right now. He was seeing one of Nesbitt's mindless slaves being
programmed, by light. The programming was much like that done to computers,
Solo thought, except that the computers' were memory tapes and transistors, and
here the scientist was dealing with a man driven mindless by some sort of
exquisite torture.
FIVE
THE INDIAN
assistant moved toward Napoleon Solo. The man's dark face was impassive.
"We've
come for the girl," Joe said.
Solo
flinched, looking down at Bikini's dark head pressed on his shoulder. She was
deeply asleep. She had been able to relax because she trusted him. She felt
secure in his arms, even in this place.
"She's
asleep," Solo said, his chilled voice warning Joe flatly to keep his hands
off of her. The Indian merely smiled coldly, spoke sharply, and the two guards
entered, armed with small rifles. They stood ready at Joe's side.
"You'll
still have to take her," Solo said.
The Indian
bent forward, catching Bikini's arm. He shook her. The girl came awake slowly,
protesting.
Solo set
himself. Joe shook Bikini again, lifted her. As Joe rose, Solo came up on the
balls of his feet. His fist caught Joe on the jaw, staggering him.
He
released his hold on Bikini and fell backwards. He struck hard against the
glass wall. It trembled under his weight.
Beyond the
glass the huge leaves and thick limbs quivered, set into motion by the
vibration.
Solo came
up, moving, crouched toward Joe.
A rifle
butt caught Solo in the forehead. Bikini screamed,
Solo
staggered, his legs buckling under him. He landed on his knees. Vaguely, he saw
Joe pull himself up, shake his head and then order the guards out of the cell
with the girl.
Solo saw
it as if from a great distance, and he knew Bikini was screaming, but he could
barely hear her.
The guards
half-dragged Bikini to the corridor entrance of Hothouse One. Behind them, Joe
tested his jaw, his face twisted.
The guards
thrust open the doors. The giant plants inside set up a rustling, waving motion
at the movement.
"Inside,"
Joe ordered.
Bikini
shook her head, staring wide-eyed at the long writhing green tentacles, the
huge crying leaves.
Joe jerked
his head. The guards caught Bikini's arms, thrusting her through the door.
Bikini
toppled on the walkway. She sprang to her feet and ran to the doors. They were
closed in her face. She beat against them.
The sound
set up a wild reaction among the plants. The snake-like limbs reached out, the
leaves waved, the thick trunks seemed to quiver.
Bikini
pressed against the door, staring in awe at the giant green plants.
From an
intercom Dr. Nesbitt's voice seemed to fill the room, setting the plants in
violent motion again.
"You
must fight to live, my dear. You don't have a chance. As you see, some of the
walks are wide. Some are almost grown over. But the wide ones are open only be
cause the plants are pulled back. Any movement in them and the plants will
crowd in, reaching out, even growing in the direction of the sound. It's the
way they live, my dear."
Bikini
pressed her fist over her mouth to keep from crying out.
"Perhaps
if you run, my dear," Nesbitt's voice suggested. "Run. You may find a
place to run. You may break free from their tentacles. You must offer some
challenge to the plants, my dear, or your unfortunate death will serve no
useful purpose."
Suddenly
Bikini screamed.
As Nesbitt
had talked, long green tentacles had struck against the walls, holding as if
with suction cups, and now reached out swiftly toward her.
They
approached from both sides of the door.
"You're
not safe there, my dear," Nesbitt's voice taunted. "I suggest you
run."
Bikini did
not move. Petrified with fear, she remained pressed against the door until the
slimy, serpent-like tentacles clapped against her arms from both sides.
Screaming,
she broke free and ran again.
Ahead of
her the center aisle seemed wide and clear. But as she ran along it, the motion
of her body stirred the plants on each side into frantic action. Trunks bent,
leaves shook and tentacle limbs grasped out.
A huge
arm-like limb struck her across the head and sent her reeling.
Toppling
to the floor, Bikini slid along it. She remained there stunned for only a few
moments, but smaller limbs, nearer the ground, sprang out, clutching at her
legs, arms, dress.
"Run.
Run. Run." Nesbitt's voice commanded loudly from the intercom speakers.
Bikini
leaped. She realized in sudden horror that Nesbitt was like a cat playing with
a mouse. When he shouted at her to run, it wasn't advice he was interested in.
His voice, any sound, caused violent reactions in the plants so that they swung
out, reaching toward the sound. And when she moved, this activated them even
more violently.
She ran a
few steps. Tentacles struck out like snakes. One closed about her throat. She
caught at it, tearing it free.
Her
movement brought newer limbs grabbing at her. In horror Bikini screamed, and
more bushes leaned toward her, closing in upon her.
She broke
free, falling away from the writhing tentacles.
She
stumbled and fell to the floor on a narrow walk. The plants near her trembled,
sending out eager feelers.
Holding
her breath, she inched forward, and the bushes quieted behind her.
The
exhausted girl laughed, on the verge of hysteria. Plants reacted, snagging at
her. She lay still for some moments. The plants quieted.
When
Nesbitt spoke over the intercom, they roused again, but seemed to subside.
She told
herself she must lie unmoving where she was. These plants reacted to noise, lay
quiescent in silence.
She lay
still. For some moment nothing happened. From the intercom, Nesbitt spoke, his
voice loud, taunting.
The plants
quivered, rustling, unfurling long green limbs.
Bikini
remained unmoving. She drew only shallow breaths. Perspiration stood on her
forehead, burned into her eyes, but she did not stir, even to wipe it away.
She wanted
to laugh in exhausted triumph. But she made no sound. The plants around her
seemed quieted. They barely stirred, even when Nesbitt's voice rattled the
intercom.
She did
not know how long she could remain in this position., but she was alive, and
this was all Bikini was thinking about.
Suddenly
she screamed, the sound spewing from her.
She lunged
upward to find green branches closed on her ankles and her legs, like ropes.
Bikini
fought wildly at the limbs, breaking free. But her movement set the nearest
plants in wild motion.
She leaped
to her feet, trembling, and stared quickly around, her face rigid.
Then she
ran, fighting the limbs around her.
Dr.
Nesbitt's voice taunted her. "That's better, my dear. That's the kind of
challenge that's worth while. Run, girl, run!"
ACT IV—INCIDENT OF THE TRIAL BY LIGHT
SOLO WAS
LED into the circular, fantastically illuminated room by two guards.
They
pointed to a bare, highly polished table, told him to sit on it. When he did
they stood at attention at his side.
The room
was not large, perhaps like a surgery amphitheatre, with a judge's bench on a
raised dais, with six judge's chairs behind it. The desk glistened and
reflected; lights.
Near the
table where Solo sat was another one similar to it, and as completely bare.
Above him,
and around the room in an elevated semi-circle, looking down on the bench and
the two tables in the cleared area were rows of empty chairs. But after a few
moments three men entered from behind the bench and took their places in the
center chairs.
Solo
stared at them incredulous. Action of light from the desk blotted out their
faces to him. The heads were blanked out, almost as if they were headless
bodies.
When the
three judges had taken their places, two men entered from each side of the
room. One came to the table where Solo sat, the other went to the similar table
near it. Lights blotted out the faces of these two men, too, no matter where
they moved.
One of the
guards touched Solo's shoulder, ordering him to place the 'death summons'
before him on the bared table.
This
folded sheet of paper was the only materials of the trial in evidence.
A voice
from a speaker in front of the judges' bench droned, "Seated are three
supreme justices of the highest court. The Highest Referendary of Unquestioned
Supreme Hearings is now in session. All proceedings of this court are voice
recorded. Seated with the accused is his defense attorney, appointed by the
Court of Supreme Hearings."
One of the
judges spoke. "The prosecution may open the case of World Order versus
Napoleon Solo."
The man
seated at the table near Solo got to his feet. The light, blotting his face
from Solo's view, followed him.
The
prosecutor stalked before the bench. "Prosecution will show that the
defendant is guilty of all charges listed against him before this court."
A judge
said, "We will dispense with the reading of those charges."
"I'd
like to hear them read," Napoleon Solo said. His defense counsel shook his
light-struck head at him, warning him to be silent.
A judge
said coldly, "Defendant is permitted to speak only when it is time for him
to admit to the charges proved against him in this court. Until this time he
must remain silent and allow his defense attorney to speak for him. Only the
defense attorney will be recognized by this court."
Solo shook
his head, staring up at those light-blotted faces.
The voice
from the speaker said, "Defendant will step into the witness chair."
A small
chair inside a cage was eased out before the bench, suspended there. When
Napoleon Solo protested, his defense attorney touched his arm warningly again
and the guards placed Solo inside the cage. He sat down in the low chair so
that his knees were almost up to his chest. The cage door was locked.
The
defense attorney sat back at the table, apparently checking over the charges in
the death summons.
The
prosecutor said, "Do you admit that you came to this place with the avowed
purpose of violence against the people herein?"
Solo
started to answer, but the judges commanded him to silence. If an answer was
required, they reminded him, his defense counsel would make it.
This
gentleman remained silent at the defense table.
Solo
sweated in the cage, raging against this mockery of justice. Still, he knew
these men were deadly serious, listening to the further charges against him
shouted by the prosecutor.
"You
advocate the overthrow of our way of life by force?... You entered
illegally?... You attacked and assaulted the person of two of our guards... You
would destroy all that we here in this room hold dear?
"Are
you not guilty of these charges? And are you not guilty of the further charges
of planned murder? Treason? Spying? Are you not guilty?"
The
defense attorney rose then, and spoke, for the first and only time during
Napoleon Solo's trial. He said in a low, sad tone, "The defendant admits
guilt to all these charges. He repents of his crimes against you. He is
heartily sorry for his misdoings. But he understands there can be but one
sentence in accord with justice; his crimes do not permit of even the
recommendation of mercy.
"He
throws himself upon the mercy of this court and asks only that he be allowed to
die in the manner which will serve the cause of humanity under our great system
most fully."
Solo
stared. A judge spoke calmly. "There will be no need to hear from the
defendant. The sentence is death, to be executed in a way most benefiting our
inquiries into science."
TWO
SOLO WAS
led to his cell. He felt nothing as far as the sentence of the strange court
was concerned. They had never suggested the trial would be impartial. The
summons had ordered him to a hearing of the treasonable charges leveled against
him.
He prowled
the cubicle, less concerned about what would happen to him than for the safety
of Illya Kuryakin and Bikini.
Solo had
not learned anything about Illya since he had seen him struck down by the light
beam in the corridor. And Bikini?
He shook
his head in anguish, not permitting himself to think about either of them.
The door
opened, suddenly. Solo stared in complete astonishment, his mouth sagged open.
Illya Kuryakin walked in.
Solo shook
his head, feeling ill. It was Kuryakin—or Kuryakin's body. Illya was dressed in
the green fatigues that all the guards wore, and his face was rigid, his eyes
empty and staring.
Illya held
a light-gun across his chest. He stared straight ahead, at nothing.
Solo gazed
at him.
"Illya,"
he said.
Illya did
not even hear him.
"No
good to talk to him, Mr. Solo," Nesbitt's voice rattled the intercom.
"He's gone quite beyond the reach of your voice."
Solo did
not speak again, watching the way Illya stood, like a robot, a living dead man.
"Mr.
Kuryakin is your guard, Mr. Solo. Isn't this a nice touch? Eh? I like it irony,
Solo. You will die, when your turn comes, among my plants.
"Meantime,
I warn you, Mr. Kuryakin has been programmed to kill you if you attempt to
escape. An ironic touch that's lovely, eh, Solo?
"Surely
you appreciate its grandeur? Guarded by your own former comrade, who is now one
of my mindless slaves... Yes, if you try to escape, your own former friend will
kill you. As I said, we indeed all of us have inside ourselves the seeds of our
own destruction."
The
intercom crackled a moment. "And now I am busy, Mr. Solo. You will forgive
me if I leave you to the mercies of your former friend? I warn you, he has no
memory, no stirring of memory of your past association. If you make a move to
escape, or to attack him, he will kill you."
The
intercom went dead.
Solo
passed his hand nervously across his eyes. "Illya, can't you hear
me?" He stared in disbelief at his friend.
Illya
didn't move and Solo's helplessness mounted. He said in desperation, "That
girl, Illya. We brought her in here—and they are going to kill her—feed her to
those plants."
It was as
if Illya Kuryakin could not even hear him. He remained unmoving, holding the
gun at ready across his chest.
Solo went
tense, remembering that Joe had warned Nesbitt that the mindless ones could not
be reached by ordinary conversation.
They could
be reached only by light, by a voice speaking to them, programming them.
In his
anxiety, Napoleon Solo took sudden swift steps toward the door.
Illya
jerked the light-gun up, his finger trembling on the trigger. The eyes remained
flat, dead.
Solo
stopped, forced himself to return to the glass window and then to walk to the
other wall, slowly. During this time he planned his next move, not looking
toward Illya. He kept everything, every movement casual.
Finally
Solo reached the switch which Joe had activated in order to talk to the guard
earlier. Then he turned, knowing that Illya would follow.
He kept
moving until the beam of the light struck Illya full in the face.
Illya did
not blink.
Solo drew
a deep breath, forced himself to speak softly, in the kindly, gentle gray tone
that Joe had used on the guard. The light in their faces controlled them.
Light
controlled everything here. Light was the source of strength, the life giving
force for the plants. It meant everything, life, death, power!
Solo
trembled with anxiety, realizing he had figured out the key that would open the
doors to this place. Light was power, but light had to have a source.
There were
no power lines into this canyon. THRUSH would not want outside power. It would
open too many avenues to question.
That meant
that all this light came from one source. Generators in this building.
Sweating,
Solo forced himself to remain calm, to keep his voice low, level, unhurried,
gentle.
The lights
shone in Illya's eyes. Solo's gentle voice caressed him, "Generators. We
must destroy the generators." He said it a dozen times, repeating it
slowly, distinctly, without passion.
Then,
seeing no response in Illya's face, he began the second phase, repeating it
again and again:
"Take
me to the generators. Kill anyone who tries to stop us."
Suddenly,
Illya stepped out of the direct beam of the light.
Solo held
his breath, waiting for Illya to bring the light-gun up to kill him.
Illya
Kuryakin nodded—and winked.
THREE
ILLYA
PUSHED open the cell door, jerked his head, motioning Solo ahead of him.
In the
corridor Illya Kuryakin moved woodenly. Sweating, Napoleon Solo wanted to run,
but knew better He kept his pace to that set by Illya.
Suddenly
Dr. Nesbitt's voice crackled wildly on the intercom and Solo knew the scientist
was watching them on his screen.
Nesbitt
screamed. "Guard! You fool! What are you doing? Where are you taking the
prisoner?"
Indian
Joe's voice crackled across Dr. Nesbitt's on the inter com. "The guard
can't hear you, sir—or obey you."
"Stop
them!" Dr. Nesbitt shouted.
From the
lab-office, two guards raced, following the white-smocked Indian.
"This
is it," Solo said from the corner of his mouth.
"Keep
walking," Illya ordered.
Behind
them, Indian Joe forgot his calm image. He yelled. "Escape. Escape. Stop
them. Kill. Kill!"
Illya
Kuryakin turned in that wooden manner, lifted the light-gun, pressed the
trigger.
Holding
his breath, Solo saw Joe and the three guards stagger and fall under the power
of the portable light-gun.
"Now
run," Illya said.
Solo
didn't wait. Illya followed, carrying the gun. He stopped twice, firing along
the corridor. At the down exit, Solo pushed through the door. He was half way
down the steps before Illya came through and moved after him.
The
pulsing of the huge generators reached up to them.
The
flat-eyed men working in the engine room did not even look up at them as they
ran out on the catwalk above the large turbines.
Illya
Kuryakin lifted the light-gun, fired it.
The
explosion rocked the engine room.
Darkness
was instantaneous and complete. Illya snapped on the small light above the
visor of his green cap. This was the only glow in the cavernous dark.
They ran
back along the cat walk and up the steps. The building was in complete
darkness.
As they
came out into the corridor they heard Dr. Nesbitt's voice raging over the
intercom. "My plants! The light! My plants!"
The man
was beside himself with panic. Madness was in his voice, now completely
unmasked.
Solo said,
"We have to get Bikini. It may be too late already. Those hellish
plants—"
Illya
said, "Easier said than done, my friend. But we'll give it a try."
Dr.
Nesbitt screamed, "You fools! You can never escape. Come with me. I can
make you kings among men! As for the foolish girl—forget her. She is dead. Or
she will be before you can do any thing about it! I will save you! I can make
you great. I can—"
Illya
said, "You are as nutty as a fruitcake, professor. Sorry to be blunt about
it, old man, but good old THRUSH sold you down the creek and you can never row
back. You're done, old boy. Can't say as how I'm very sorry."
Solo said,
"This girl may be dying while you're talking, Illya. Let's go!"
"This
way," Illya said. They ran along the corridor, Illya's small cap light
bouncing ahead of them.
At door
six, Hothouse One, Solo said. "The door, Illya."
Illya
turned the light-gun on it.
Solo
thrust it open and they ran inside.
The place
was a confusion of wild rustling, writhing in the dark ness.
"Bikini!"
Solo yelled.
She
screamed his name from somewhere in the darkness.
"We'll
have to shoot and hack our way in to her," Illya said.
A burst
from the light-gun withered plants in a wide perimeter before them. The
illumination showed them Bikini caught in the constricting grasp of huge
branches.
"Glass!"
Solo said.
Almost in
the same instant, Illya Kuryakin fired, shattering one of the walls.
Solo
caught up a shard and cut his way through the thick growth toward Bikini, who
sobbed his name.
Illya
fired short bursts of the light-gun, withering away, the plants around them as
they had burned, petrifying in the jungle.
Solo cut
away the last limb holding Bikini. She sagged gratefully into his arms,
grasping him convulsively around the waist.
"Let's
split this scene," Illya said. "They won't get the generators
started, but they might get the guards out."
They went
through the gun-shattered glass wall into the walled garden. Here the night was
gray.
There was
illumination enough to see Dr. Nesbitt standing out there with a light-gun,
barring the way.
"Hit
the dirt!" Solo warned. He sprang forward, carrying Bikini with him.
Dr.
Nesbitt fired the light-gun, screaming like a banshee.
Illya sank
to his knees, taking his time. He leveled the gun, pressed the trigger.
They saw
Dr. Nesbitt drop the light-gun, stagger to his knees and pitch forward again.
Solo was
already getting up, clinging to Bikini's hand, taking her with him.
With
Napoleon Solo and Bikini Collins just ahead of him, Illya Kuryakin ran toward
the exit, the canyon, the way out.
Behind him
he heard running men, mindless howling, and the sharp sound of the burst of a
gun. Illya didn't know whether the guards were after them or not, long ago
programmed to foil any escape. He wasn't taking any chances.
He paused long enough to send one last burst of flame toward the darkened laboratory, and then he ran faster, into the freedom that was ahead.
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