Monday, August 16, 2010

Reign of Iron: The True-Life Saga of the Monitor and the Merrimack

When I was the a kid, the most fascinating aspect of the Civil War (aside from the post-war adventures of Johnny Yuma, the Rebel) was the battle between the Monitor and the Merrimack.

In the years since I’ve looked at the war from different angles and gained an appreciation for other battles and other personalities, but one thing remains the same. Nothing grabs me like the first battle of the ironclads.

That may be partly due to James L. Nelson, a historian who is also a fine fictioneer. I’ve read a couple of his pirate mysteries, so I was well aware he could tell a good tale. But the story laid down in Reign of Iron is one of those stranger-than-fiction adventures, which makes it even more compelling.

To introduce the contestants . . .

The Merrimack was a steam-powered wooden warship partially destroyed in the early days of the war. The Confederates salvaged her hull and engines, topping her with iron plating and 10 big guns. On completion, she was renamed the C.S.S Virginia, but is still known to history as the Merrimack. 

The U.S.S. Monitor was built from scratch on a revolutionary new design, and referred to, with much derision, as a “floating cheesebox.” Few people believed she could float, much less fight. She had only two guns, fixed in a revolving iron turret. Work on the Monitor did not begin until the Merrimack had been under construction for four months.

Though both sides had spies, no one knew just when either ship would be ready for action. Incredibly, both ships arrived at Hampton Roads, the entrance to the Chesapeake Bay, on the same day. Unfortunately for the North, Monitor was several hours too late to prevent Merrimack from destroying two of the Union’s most powerful wooden warships. The following day, the Monitor and the Merrimack hammered each other with iron at close range for over four hours while thousands of soldiers from both sides lined the banks to cheer them on.

Reign of Iron is the story of the men who designed them, built them and fought them, and how they changed the course of naval warfare. This book gets two giant ironclad THUMBS UP.
 




Saturday, August 14, 2010

Friday, August 13, 2010

Forgotten Books: ACTION STORIES by Dent, Nebel & others

Long before our current wave of fine pulp reprint publishers (Black Dog Books, Altus Press, Adventure House, Nostalgia Ventures and others) arrived on the scene, a number of bold pioneers blazed the trail. One of those pioneer outfits was Odyssey Publications, who did most other work in the late 70s and early 80s.

I don't know who exactly was behind Odyssey Publications, or how many books they published, but I know they put out at least 11 "uniform editions" (Action Stories was number 11), along with Duende magazine and a couple of booklets about Doc Savage. And I know that Will Murray was a major player, writing articles for and introductions to the books. Each of the "uniform editions" I've seen is a perfect-bound trade paperback with bright white paper and crisp reproduction. The stories are in facsimile, so you get all the original titles and artwork. Very cool.

Action Stories is one of several volumes intended as a "best of" collection (others featured stories from Oriental Tales, Golden Fleece and Strange Tales. Action Stories (the magazine) was a Fiction House pulp published from 1923 to 1950 as sort of a wannabe Argosy. As such, their stories ran the gamut of adventure-related genres. You Robert E. Howard fans will no doubt recognize it as the newsstand home of Breckenridge Elkins, the pride of Bear Creek.

This collection is a good representation."Exiles of the Dawn World" by Nelson Bond (the cover story), is "The truly startling story of a Twentieth Century Adam and Eve hurtled back through the ages of Time to the noisome, steaming birth of the world." And that's just the beginning. There's a tale of pirates in the China seas, a story of the foreign legion, a western, a visit to a lost city in Africa and an adventure in the Afghan hills.


For me, the headline stories are those by Lester Dent and Frederick Nebel. "The Devil's Derelict," Will Murray tells us, was Dent's fourth published story, from 1930. Nebel's "The Coast of Hate" likely appeared a bit earlier, because by 1930 he was a regular in Black Mask, and most of his adventure writing was behind him. Predictably, both tales are crackling good yarns, and worth the price of admission on their own.


For those of you keeping score, the Action Stories not named above are:
"Captain Cut-Throat" by Albert Richard Wetjen
"Murder Sands" by John Starr (possibly Dan Cushman)
"The Lion Goddess" by John Wiggin
"Hermit House" by Theodore A. Tinsley
"Emperor of the Three" by Jack Smalley

Persons seeking this volume are advised to employ the Advanced Search function on Amazon or Abe. Along with the title, enter Odyssey Publications as the publisher, and up it comes. Though prices have gone up a bit since 1981, they're still about the same as comparable pulp reprints published today.

Visit pattinase for more of this week's Forgotten Books!

Thursday, August 12, 2010

Art Gallery: Daffy Dill

1939

1939

These are two of the many DFW covers featuring smart-mouthed reporter Daffy Dill. To read a complete Daffy story, "A Dirge for Pagliaccio," click HERE.

Wednesday, August 11, 2010

"The Great Whydini" by David Cranmer

David Cranmer has done it again. He's given us another crackerjack story, this time a tale of love, lust and sudden death on the new online crime magazine ALL DUE RESPECT.

The Great Whydini is an escape artist in the tradition of the guy pictured here. But what happens when his unfaithful wife and former best friend decide they've had enough of his ego? To find out, click HERE and let David Cranmer (he of BEAT to a PULP and Education of a Pulp Writer) entertain you.

ALL DUE RESPECT is a mag with an intriguing mission statement: We are interested in crime fiction. That means fiction about crime. Not solving crime. Not bemoaning crime. Fiction about people who are criminals and maybe a little bit about why they are criminals, so long as you don't go Dr. Phil on it. Check it out!

Tuesday, August 10, 2010

Writerly Advice from Hemingway, Vonnegut, Poe & friends


KURT VONNEGUT:  Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.

J. D. SALINGER: An artist’s one concern is to shoot for some kind of perfection, and on his own terms, not anyone else’s. 

HUNTER S. THOMPSON: If I’d written all the truth I knew for the past ten years, about 600 people - including me - would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism.


EDGAR ALLEN POE: The death of a beautiful woman is unquestionably the most poetical topic in the world.

TONI MORRISON: The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.

CHINUA ACHEBE: Art is a constant effort to create for himself a different order of reality from that which is given to him. 

 

ERNEST HEMINGWAY: There is nothing to writing. All you do is sit down at a typewriter and bleed.

MARCEL PROUST: If a little dreaming is dangerous, the cure for it is not to dream less but to dream more, to dream all the time.

Monday, August 9, 2010

Groovin' with Rock Residue

After three days of hardcore writersconferencing (more on that after it sinks in), I'm both psyched and brain-dead. To wind down after the final ceremonies, Cap'n Bob and I visited Powell's - the largest new & used bookstore on the continent (and probably on the planet), then had dinner with two members of our favorite retro band, Portland's Rock Residue.

Here are two low-tech videos I recorded on my pocket-size camera a couple of years ago. Brian Trainer (on guitar and organ) is far left, while Laurie Mills (chanteuse) is up front. Rock on, gang.



(Yeah, that's my thumb creeping over the lens in the first one. Sorry.)