Thursday, December 31, 2009

Hollywood Detective Reprint Pioneer


There are a lot of Hollywood Detective reprints around these days, and the cult of Dan Turner continues to grow. But the real pioneer in the field was John Wooley, who edited this fine volume in 1983 for Bowling Green State University Popular Press.

Wooley wasn't the first to reprint Dan Turner. That honor, as far as I know, goes to Tony Goodstone, in his 1970 extravaganza The Pulps (a book that belongs in every library). Another story appeared in a 1977 Barnes and Noble special called Pulp Fictions.

But Wooley's book was (I think) the first Hollywood Detective collection, and is still one of the best. The hardcover edition (complete with dj) is a very handsome volume, featuring seven stories scanned directly from Spicy Detective, Hollywood Detective, Speed Detective and Private Detective Stories - including all the illustrations. This is the way Dan's adventures were meant to be read.

For those keeping score, the tales contained are: Homicide Highball; Off-Stage Murder; Dark Star of Death; Homicide Spike; Drunk, Disorderly and Dead; Hair of the Dog; and Dump the Jackpot.

Wednesday, December 30, 2009

The Story With No Name Part 22 by James J. Griffin

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A new chapter = a new surprise. But I ain't telling what it is. You'll have to visit Ian Parnham's The Culbin Trail for Part 22 of this round-robin epic, penned by western author James J. Griffin. Ian has also gathered Parts 1-16 and 17-21 for easy catch-up reading.

Jim Griffin's latest book, The Faith and the Rangers, collects ten Texas Ranger stories, including the first meeting of his two series characters, Jim Blawcyzk and Cody Havlicek. Now available from Amazon.

Several other Story With No Name authors are among the 21 writers featured in the new Express Westerns anthology A Fistful of Legends (which you may possibly have noticed on the masthead). There are now a mere 14 days left in the special offer to get an advance copy of Fistful delivered to you PDQ with free shipping. Click A Fistful of Legends Special Offer for all the details.

Part 23 of The Story, by Paul Dellinger, will be featured on Mark Engebretson's My Side.

Tuesday, December 29, 2009

Wyatt Earp - plus - Chilly Billy the Real Cool Kid??




Here's a tune worthy of The Dr. Demento Show. The reason for this 1957 Golden Record's existence is the popular theme from The Life and Legend of Wyatt Earp. But they had to do something with the flip side - and what they did was this amazing thing called "The Saga of Billy the Kid". So sit back, crank up the Almanack's mp3 player, and let (Sing Along with) Mitch Miller and the Sandpipers entertain you. It's interesting that Mitch and the gang did "Wyatt Earp" acappella, as it was done by the Ken Darby Singers for the TV show.

"Wyatt Earp" by Mitch Miller & the Sandpipers

"The Saga of Billy the Kid" by Mitch Miller & the Sandpipers

Monday, December 28, 2009

Satan Hall 6: Death by Appointment


In this tale from 1933, pointy-eared Detective Frank "Satan" Hall slaps down a mob gunny named Chet Barloff, putting "the mark of Satan" on him. Now Barloff must try to kill him, or bear that mark of shame.

Satan allows himself to be lured into a trap in the back room of a nightclub, where he enjoys a glass of (no kidding!) sarsaparilla. A few excerpts from the scene:

A voice spoke. A voice directly behind Satan; a voice that he recognized.

“Don’t so much as move a muscle,” said the voice. “My gun’s less than six feet from your head; just the right distance to blow the top of it off.” And the voice was the voice of Chet Barloff.

Looking up into the mirror on the wall in front of him, Satan saw those sneering lips; those gloating eyes. A panel in the wall had slipped noiselessly back - a panel wide enough to admit the head and shoulders of the killer; a necessary device of pre-Volstead days for a Sunday can of beer.

Satan didn’t move and he didn’t speak. He cursed softly beneath his breath. If his right hand was only free? But it wasn’t free. He couldn’t get the glass onto the table without attracting Barloff’s attention.

Remarkably, though Satan can see Barloff in the mirror, Barloff is so focused on the back of Satan’s head that he pays no attention to the mirror. So he fails to notice as Satan’s left hand snakes a gun from under his right armpit and up toward his right shoulder. Satan’s best hope is to get one desperate shot off before he dies.

Then Barloff finally looks in the mirror.

For a split second Barloff’s eyes were fastened on Satan’s left hand - on the gun that left hand held. The right hand was forgotten.

Satan let his right hand fly back as he pitched himself forward onto the table. He heard the roar of Chet Barloff’s gun, the curse too that preceded it. For a split moment in the mirror Satan saw the glass strike the wall above Barloff’s head - saw the bits of glass scatter and the dull brown liquid run over Barloff’s face.

There was the smell of burnt powder in Satan’s nostrils, and a cold stab along the side of his face as if a piece of ice had been dragged across his cheek.

Satan hits the floor, twisting his body. And his left hand if finally free. He looks Barloff straight in the eyes.

Satan didn’t see the lust to kill in those eyes now. He saw fear - even terror.

Satan’s green eyes narrowed; his thin lips were a straight line. His finger closed once upon that trigger.

They fired together. Barloff with a hand that shook - with a finger that closed frantically - desperately.

A chip of wood from the table tore across Satan’s cheek. He nodded grimly and his lips parted. Clearly he saw the round hole almost in the center of Chet Barloff’s forehead; a small round hole that was growing larger and turning red.

“Just as I always thought,” Satan thought, half aloud. “No nerve. When he faced the gun in my hand he turned yellow.”

Sarsaparilla saves the day!

Satan's earlier adventures are chronicled HERE.

Sunday, December 27, 2009

The Art of Sherlock Holmes: Sherlock Holmes Faces Death




No more chasing Nazi spies! That's the good news in this sixth film in the Rathbone-Bruce series, from 1943. This one, very loosely based on "The Musgrave Ritual", finds Holmes and Watson in a spooky old convalescent home, facing such weird elements as a human chessboard and clock striking 13.

The posters show an interesting progression. The title card (above) features the original photographs of the main players. For the 1-sheet (below) those same photos were enhances with paint. And on the much larger 3-sheet (bottom), even more painterly effects are employed.



 

Enter the Rathbone-Bruce Poster Gallery HERE.

Saturday, December 26, 2009

Sam Spade: Sam and the Psyche




Fellows, if a girl can spend half an hour under a hot dryer in a beauty parlor to look her best for you, certainly you can spend half a minute sprucing up with Wildroot Cream-Oil Hair Tonic to look your best for her.
Just one of the many life lessons to be gleaned from this week's mind-bending episode, from August 2, 1946.

Sam and the Psyche Part 1

Part 2

Part 3


More adventures await you:
The Fairly-Bright Caper
The Rushlight Diamond Caper
The Flopsy, Mopsy and Cottontail Caper
The Stopped Watch Caper
The Apple of Eve Caper
The Prodigal Daughter Caper
The Battles of Belvedere Caper
The Vaphio Cup Caper
The Betrayal in Bumpass Hell Caper
The Bow Window Caper
The Adam Figg Caper
The Calcutta Trunk Caper 

(click to enlarge)

Thursday, December 24, 2009

"Christmas Dragnet" by Stan Freberg & Daws Butler




This record, released in 1953, was a follow-up to the team's earlier Dragnet parody, "St. George and the Dragon-net". Freberg is Joe Wednesday, while Butler plays Frank Jones, Grudge and the brownie. Freberg, of course, made a career of comedy records and comedy advertising. Daws Butler is better known for his work in cartoons. Among the many characters he voiced were Quick Draw McGraw, Yogi Bear, Huckleberry Hound, Elroy Jetson, and Snagglepuss.

"Christmas Dragnet" by Stan Freberg with Daws Butler